Revisiting Literary Value and Consecration at the Turn of the Century: the Critical Reception of César Aira's Works in the 1980s and 1990s

Edición latinoamericana como empresa improbable: César Aira en México (1994–2018)

“…10 Indicadores de este prestigio son el lugar privilegiado que le otorgan las editoriales como las bibliotecas dedicadas a su obra que poseen Random House Literatura del grupo Penguin House Mondadori, Emecé del grupo Planeta y la pequeña editorial argentina Blatt & Ríos; las numerosas traducciones; la apreciación de sus pares y la crítica; los premios recibidos como el Premio Roger Caillois en Francia en 2014 y en 2016, el Premio Iberoamericano de Narrativa Manuel Rojas en Chile, y el premio Formentor de España en 2021; para mencionar algunos de ellos. Reflexiono sobre el fenómeno de la consagración de Aira, en particular desde la dimensión de la recepción crítica, en Riveiro (2022).…”

“…Mientras que las particularidades de los campos editoriales nacionales dan forma diversa a este modo de organizaci ón del espacio editorial, esta tipología se mantiene constante. 7 En México, que es objeto del presente artículo, Escalante Gonzalbo (2007, distingue las empresas grandes y macro (como Planeta que incorpora a Joaquín sociabilidad con pares (Riveiro 2021b(Riveiro , 2021c(Riveiro , 2021d, la construcción de la figura autoral (Riveiro 2019), la tradición y los procedimientos literarios (Riveiro 2020(Riveiro , 2021a, y la recepción crítica de su obra (Riveiro 2022). 4 El campo es un concepto mediador entre lo literario y lo social.…”

French Reception of the Works by Olzhas Suleimenov

“…Since the main function of literary translation is considered to be its contribution to the establishment and development of international literary relations, the problems of literary translation represent an extensive field of research for comparativists as well. In the course of our research, we reviewed the following scholarly articles on similar topics published in highly ranked peer-reviewed journals: "Circulation in Comparative and World Literature: How the Irish Literary Revival was Received by the Chinese May Fourth Generation" (O'Malley-Sutton, 2020); "The lyric present in English translations of Russian poetry" (Piatkowska, 2020); "Lu Xun and Modern Chinese Literature in the Context of World Literature" (Gu, 2021); "William Blake: The reception of Robert Blair's "Grave" in Serbia" (Bakić, 2022); "A Persian Perception of two French Stories" (Kardgar and Rahimirad, 2022); "On the translation of David Lodge's campus novels into Polish and Russian" (Lubocha-Kruglik, 2022); "Digital keywords for China: Perceptions and portrayals in English language novels" (Matthews & Tung, 2022); "Revisiting Literary Value and Consecration at the Turn of the Century: the Critical Reception of César Aira's Works in the 1980s and 1990s" (Riveiro, 2022). The issues of translation and dissemination abroad are on the radar of contemporary literary scholars around the entire world.…”