“…8 Despite the tendency towards silence about the fate of Jews during the war, the Jewish tragedy could still be seen in artistic productions as late as 1948, and it was directly referenced in legal discourse (mainly in the reportage of the Nuremberg Trial). 9 Taken together, this amounts to a contradictory and ambivalent picture. These tensions and ambivalence with regard to the interpretation of the Jewish tragedy permeate The Unvanquished on several levels-the film's narrative, as well as the film's professional and critical reception.…”