Sensuous Geographies and Other Installations: Interfacing the Body and Technology

Rubidge, Sarah F.

doi:10.1057/9780230288157_9

Cited by 5 publications

(3 citation statements)

References 3 publications

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“…For instance, in a series of recent research–creation projects, the dancer and researcher Sarah Rubidge draws on vocabularies that have obvious resonance with the concerns of geographers. In Sensuous Geographies (see Rubidge 2007), Rubidge collaborated with composer Alistair McDonald on the design of an ‘immersive interactive installation’ in which the motion of participants generated different sound traces, resulting in a dynamic space of sound and movement 8 . In another project, Global Drifts , developed in collaboration with Hellen Sky, Rubidge explores similar themes, albeit at a much larger scale.…”

Section: Resultsmentioning

confidence: 99%

Geographies for Moving Bodies: Thinking, Dancing, Spaces

2008

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The body is well established as a research focus within contemporary human geography. Yet, the matter of how and in what ways bodies are geographical remains an open question. In this article, I address this question by examining work by geographers and others about the spaces of moving bodies. My points of departure are the twin claims that bodies move in more ways than one (spatio‐temporally, kinaesthetically, affectively, collectively, politically and imaginatively) and that this movement is potentially generative of different kinds of spaces. These claims are developed through a discussion of dance. By drawing on work from a range of disciplines, I argue that research encounters with dance offer opportunities for thinking about three sets of issues: the relation between bodies and cultural geographies; the importance of affectivity in spatial experience; and the relation between the lived and the abstract. I conclude by outlining a series of pathways along which geographical research into the spaces of moving bodies might be developed further.

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Section: Resultsmentioning

confidence: 99%

Geographies for Moving Bodies: Thinking, Dancing, Spaces

2008

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“…(Henshaw et al 2016) mengatakan bahwa kota dan aromanya dapat direncanakan dan dikelola secara strategis untuk memberikan komunikasi eksplisit mengenai budaya dan identitas kota. Perkembangan urbanisasi saat ini mendorong perubahan lingkungan dalam perencanaan kota, (Rubidge 2006) mengutip bahwa rodaway tahun 1994 mengatakan bahwa "kita sering meremehkan pentingnya bau dalam pengalaman sehari -hari masyarakat dalam dimensi sosial dan emosional perkotaan", oleh karena itu di kota -kota negara barat, terdapat kecenderungan menghilangkan bau pada ruang publik sebagai bagian dari menjaga tatanan sosial, yang mencerminkan konsep modernis dalam perencanaan kota.…”

Section: Pendahuluanunclassified

Karakteristik Smellscape di Kawasan Stasiun Tugu Yogyakarta

Fadhillah,

Marcillia

2024

AJA

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Kawasan sekitar stasiun seringkali menjadi titik fokus studi tentang smellscape, fenomena kompleks yang melibatkan persepsi dan pengalaman manusia terhadap berbagai aroma dalam lingkungan mereka. Dalam penelitian ini, menganalisis karakteristik smellscape di kawasan Stasiun Tugu Yogyakarta. Penelitian ini bertujuan untuk mengeksplorasi karakteristik smellscape di Kawasan Stasiun Tugu Yogyakarta. Metode penelitian ini menggunakan smellwalk (Berjalan dengan bau) dan kuesioner. Hasil penelitian menunjukan dari analisis data, bahwa jenis bau yang paling dominan meliputi bau makanan, emisi karbon, dan bau sintetis. Faktor - faktor seperti aktivitas komersial, lalu lintas kendaraan, penggunaan bahan kimia, kepadatan penduduk, dan kondisi lingkungan menjadi penentu utama dalam pembentukan smellscape di lokasi ini. Temuan kami memberikan pemahaman yang lebih baik tentang kompleksitas smellscape urban di Kawasan Stasiun Tugu Yogyakarta dan memberikan landasan untuk pengembangan strategi manajemen lingkungan yang lebih efektif.

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“…The only visual media that were available to us to record the work audiovisually were video recordings and photographs of the installations in action. Neither these visual traces of the works, nor the written reviews and descriptions of those who had experienced them, or the artists own writings on the works (Kozel, 2008;Rubidge, , 2007Schiller, 2006) enabled people who had not encountered them to get even a glimpse of the sense of being that engagement the works initiated.…”

mentioning

confidence: 99%

Sensuous Geographies and Other Installations: Interfacing the Body and Technology

Cited by 5 publications

References 3 publications

Geographies for Moving Bodies: Thinking, Dancing, Spaces

Geographies for Moving Bodies: Thinking, Dancing, Spaces

Karakteristik Smellscape di Kawasan Stasiun Tugu Yogyakarta

Virtually Sensuous (Geographies): Towards a Strategy for Archiving Multi-user Experiential and Participatory Installations

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