Abstract:This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry. While this may not be a new concept in comedia studies, the correlation between such an attitude and manifestations of monstrosity opens up the text to a reading that includes, but also transcends, the debate of… Show more
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