2021
DOI: 10.1016/j.annals.2021.103188
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Souvenir authenticity in the additive manufacturing age

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Cited by 21 publications
(12 citation statements)
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“…C. H.Lee, E. Koa, H. Tikkanen, M. Cao, T. Phan, G. Aiello, R. Donvito, S. Raithel [14] argue that in today's context, international activity triggers shifts in customers' attitude toward beauty brands and brings them to the front in the international market. Such arguments are supported by C. Atanga, A.Francis, E.Amuquandoh, E. K. Amenumey [15], C. Anastasiadou, S. Vettese [16] in their papers.…”
Section: Background and Methodsmentioning
confidence: 75%
“…C. H.Lee, E. Koa, H. Tikkanen, M. Cao, T. Phan, G. Aiello, R. Donvito, S. Raithel [14] argue that in today's context, international activity triggers shifts in customers' attitude toward beauty brands and brings them to the front in the international market. Such arguments are supported by C. Atanga, A.Francis, E.Amuquandoh, E. K. Amenumey [15], C. Anastasiadou, S. Vettese [16] in their papers.…”
Section: Background and Methodsmentioning
confidence: 75%
“…The positive impact of souvenir authenticity on behavioral intention has been verified ( Kolar and Zabkar, 2010 ; Fu et al, 2018 ). Anastasiadou and Vettese (2021) reveal how additive manufacturing influences visitors’ perceptions of souvenir authenticity.…”
Section: Literature Review and Hypotheses Developmentmentioning
confidence: 96%
“…Compared to acquiring other objects, possessing souvenirs helps to maintain memories as well as expressions of individuality and identity ( Decrop and Masset, 2014 ). As a metonymic and metaphoric act, souvenir purchasing is a part of the ritual of tourism, closely connecting with the understanding and stereotypical perceptions of local culture ( Littrell et al, 1993 ; Anastasiadou and Vettese, 2021 ). In order to meet the expanding demand for souvenirs with local features, increasing amounts of intangible cultural heritage (ICH) are developed as souvenirs based on their representativeness and locality ( Soukhathammavonga and Park, 2019 ).…”
Section: Introductionmentioning
confidence: 99%
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“…Mass-produced low-cost souvenirs are often condemned as plastic ''kitsch'' (Lasusa, 2007) because they do not have the inherent history of the original objects they represent, or do not prove the humanism of traditional producers (Anastasiadou & Vettese, 2021), making it difficult to evoke tourists' sense of scarcity. The emergence of dual channels may promote purchasing of such souvenirs.…”
Section: Authenticity As a Moderatormentioning
confidence: 99%