“…The role of action effects for performance has been described by ideomotor theory (Hommel, Müsseler, Aschersleben, & Prinz, 2001;James, 1890;Shin, Proctor, & Capaldi, 2010), which assumes that humans produce actions by anticipating the intended sensory consequences of these actions. For instance, a key press in an experiment might be produced by anticipating the proprioceptive or visual consequences of this key press (Janczyk, Durst, & Ulrich, 2017;Janczyk & Lerche, 2018;Pfister & Kunde, 2013;Wirth, Pfister, Brandes, & Kunde, 2016). If motor actions can be selected using codes for their sensory consequences, it can reasonably be assumed that actors monitor the ultimately produced effects as well, to determine whether the intended consequences have actually been realized or to establish new action effect associations.…”