Abstract:This paper explores the tensions that arise when museums adopt a particular moral and political standpoint while at the same time attempting to recognize and making space for a plurality of perspectives. The study draws on a visual, textual, and comparative analysis of two exhibitions: Typical at the Intercultural Museum and FOLK: from racial types to DNA sequences at the Norwegian Museum of Science and Technology, both located in Oslo, Norway. Alongside interviews with the exhibition producers, the analysis e… Show more
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