The Fundamental Line from Scale Degree 8: Criteria for Evaluation

Beach, David

doi:10.2307/843437

Cited by 6 publications

(4 citation statements)

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“…One direction dwells on the detailed ramifications of the theory, exploring specific configurations on the ground of the well-studied terrain. Some configurations are problematic for the method as a whole (e.g., Smyth 1999;everett 2004), but others are not necessarily so (Beach 1983). The other direction is para-Schenkerian studies, most notably metatheoretical studies (e.g., Zbikowsky 1997), which reflect the influence of the "new musicology" that appeared in JMT since the appearance of the "theory colloquium" in 1989 (more on this trait below).…”

Section: Journal Of Music Theorymentioning

confidence: 96%

“…In the following decades JMT did not publish further bibliographic updates, and there is currently no place for bibliographies in print journals. However, Beach did publish two further updates of his Schenkerian bibliography in other print journals (Beach 1985(Beach , 1989, and recent Schenker bibliographies have appeared in two full-length printed books (ayotte 2004(ayotte , Berry 2004.…”

Section: Other Types Of Articlesmentioning

confidence: 96%

“…The four bibliographies that appeared in JMT include two lists of translated treatises (coover 1959, 1969) and two of Schenkerian studies (Beach 1969(Beach , 1979. In the following decades JMT did not publish further bibliographic updates, and there is currently no place for bibliographies in print journals.…”

Section: Other Types Of Articlesmentioning

confidence: 97%

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Journal of Music Theoryover the Years

Goldenberg¹

2006

Journal of Music Theory

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Bibliometric tools and especially content analysis of all 393 articles published in Journal of Music Theory (up to issue 48/1) help to investigate the development of the content of this journal. The articles were classified according to their type, the theoretical aspect, the period of repertoire discussed, and major composers or theorists they were devoted to. Among the major findings, one can trace in a precise manner the centripetal process toward focus on Schenkerian and set theories (and the more recent opposite process), the almost total separation of discussions of tonal and posttonal music, the more recent inclusion of neo-Riemannian theory, the para-academic nature of some earlier areas of interest, the correlation between an established method and the repertoire discussed, the general solid focus on hard-core theory with very few glimpses to interdisciplinary studies, and the slow and partial change that involves metatheoretical approaches. Other aspects include the growth of the journal, its importance, and its editors and contributors.

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Section: Journal Of Music Theorymentioning

confidence: 96%

Section: Other Types Of Articlesmentioning

confidence: 96%