The Kantian Synthesis and Sonata Form

Sheldon, David A.

doi:10.2307/430689

The Journal of Aesthetics and Art Criticism

1979

DOI: 10.2307/430689

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The Kantian Synthesis and Sonata Form

David A. Sheldon¹

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W. A. Mozart first movement piano sonata kv 310 in a minor

Cortés

2014

Ricercare

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Revista del Departamento de Música -Grupo de investigación en Estudios musicales Resumen: Con este trabajo, se pretende realizar una aproximación desde el punto de vista de la retórica y sus figuras a la sonata en la menor KV 310 de W. A. Mozart, la cual ofrece una serie de recursos expresivos explicables a partir de la oratoria, que facilitan el entendimiento de la música desde una perspectiva más íntima y personal. La retórica, como el arte de la persuasión, sirve, entonces, como un puente para establecer una conexión entre la música escrita y la afectividad, tanto del intérprete ejecutante como del oyente.

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W. A. Mozart first movement piano sonata kv 310 in a minor

Cortés

2014

Ricercare

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The Stretto Principle: Some Thoughts on Fugue as Form

Sheldon¹

1990

Journal of Musicology

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The Kantian Synthesis and Sonata Form

Cited by 2 publications

References 0 publications

W. A. Mozart first movement piano sonata kv 310 in a minor

W. A. Mozart first movement piano sonata kv 310 in a minor

The Stretto Principle: Some Thoughts on Fugue as Form

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