2003
DOI: 10.1177/02632764030205004
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The New Tarde

Abstract: The early 20th-century French sociologist and philosopher Gabriel Tarde was an important critic of Durkheim's ontology of the social. Tarde developed a microsociological and ontological critique of the philosophical problems of resemblance and of variation underlying Durkheim's comparative sociology. Recently, thinkers such as Gilles Deleuze, Bruno Latour and Éric Alliez have begun to revisit Tarde and to develop a theme of the significance of Tarde's thought as a harbinger of postmodern theory. This article e… Show more

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Cited by 76 publications
(10 citation statements)
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“…This theory also expresses the connection between CPU and innovation by disclosing that CPU urge firms to make strategic planning and find a way through innovation to achieve a competitive advantage. Similarly, diffusion innovation theory was discussed in 1903 by Gabriel Tarde (Toews, 2003). This theory highlights that newborn ideas, technologies, behaviors, and goods gradually spread through conventional sources or through population, rather than all at once (Kaminski, 2011).…”
Section: Theoretical Reviewmentioning
confidence: 99%
“…This theory also expresses the connection between CPU and innovation by disclosing that CPU urge firms to make strategic planning and find a way through innovation to achieve a competitive advantage. Similarly, diffusion innovation theory was discussed in 1903 by Gabriel Tarde (Toews, 2003). This theory highlights that newborn ideas, technologies, behaviors, and goods gradually spread through conventional sources or through population, rather than all at once (Kaminski, 2011).…”
Section: Theoretical Reviewmentioning
confidence: 99%
“…It is productive to reread Leroi‐Gourhan in light of the enthusiasm generated by Bruno Latour's animated resurrection of Gabriel Tarde's theory of imitation (2010 [1903]) to critique postmodernism and provide salvation for sociology incarnate in the logic of actor network theory (Toews 2003; see also King 2016; Watson 2017). Leroi‐Gourhan's understanding of technologized animation anticipates how networks relate to actants, both human and nonhuman.…”
Section: Cave Art Leroi‐gourhan Technicity and Memorymentioning
confidence: 99%
“…Cantó-Milà, 2005;Donati, 2011;Crossley, 2011;Ruggieri, 2016;Pyyhtinen, 2010;Kemple, 2018;Papilloud, 2018); Gabriel Tarde (see e.g. Toews, 2003;Tonkonoff, 2018), George Herbert Mead (see e.g. Côté, 2018), and even Émile Durkheim (see e.g.…”
Section: Invitation As a Hospitable Actmentioning
confidence: 99%