2019
DOI: 10.1111/aman.13209
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The Powers in PowerPoint: Embedded Authorities, Documentary Tastes, and Institutional (Second) Orders in Corporate Korea

Abstract: Microsoft PowerPoint is both the bane and banality of contemporary South Korean office work. Corporate workers spend countless hours refining and crafting plans, proposals, and reports in PowerPoint that often lead to conflicts with coworkers and overtime work. This article theorizes the excessive attention to documents in modern office contexts. Where scholars have been under the impression that institutional documents align with institutional purposes, I describe a context in which making documents for indiv… Show more

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Cited by 12 publications
(5 citation statements)
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References 32 publications
(27 reference statements)
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“…Consultants thus attempted to tailor each slide to reflect the worries, desires and epistemic preferences of clients, turning PowerPoint presentations into precisely targeted forms of reification, that could afford to exclude all those aspects of the world that a particular manager or government official might not care about (cf. Prentice, 2019). This promised to please client management and move them from one issue to the next so as to enable them to take decisions.…”
Section: Ignorance Due To Rhetoricmentioning
confidence: 99%
“…Consultants thus attempted to tailor each slide to reflect the worries, desires and epistemic preferences of clients, turning PowerPoint presentations into precisely targeted forms of reification, that could afford to exclude all those aspects of the world that a particular manager or government official might not care about (cf. Prentice, 2019). This promised to please client management and move them from one issue to the next so as to enable them to take decisions.…”
Section: Ignorance Due To Rhetoricmentioning
confidence: 99%
“…To deal with some of the archetypical generic conventions that span different media and historical periods, Nakassis (2019) draws from theories of poetics, aesthetics, and textuality to suggest the term “image‐text.” Engaging Bate's (2009) work, Nakassis develops the term as part of historicizing the “mass hero” of Dravidian oratory and its redeployment in Tamil cinema. In a contrasting take, Prentice (2019) asks us to look beyond textual authority to examine the various technological mediations of text. PowerPoint is at the center of his research on how assembling a presentation creates collective authority in Korean corporate settings.…”
Section: Uncertain Remediations: Communicative Technologies and Inframentioning
confidence: 99%
“…For a discussion of similar phenomena within corporate contexts and capitalist institutions, see Gershon (2016); Gershon and Prentice (2021); Prentice (2019); Wilf (2016). …”
mentioning
confidence: 99%