Speech Prosody 2014 2014
DOI: 10.21437/speechprosody.2014-222
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The role of intonation in early word recognition and learning

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Cited by 4 publications
(4 citation statements)
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“…It would appear that the pitch accents accounted for the majority of the F0 variance related to focus; the pitch accenting factors were always present in the optimal F0 models. While the use of pitch accents in focus marking was not a question of the current analysis, the trends of use accord with expectations based on previous studies of accenting (Bolinger, 1972; Ito et al, 2004; Ito & Speer, 2006; Turnbull et al, 2014): in the NP focus condition, 199 (69.3%) of the phrases were realized with a high–high sequence; in the adjective focus condition, 113 (39.5%) of the phrases were realized with a rising–unaccented sequence, and 87 (30.4%) with a high–high sequence; and in the noun focus condition, 152 (55.5%) phrases were realized with a high–high sequence, and 52 (19.0%) with a high–rising sequence. From the point of view of contemporary theories of information structure, one aspect of these results is striking: non-focused material is not expected to bear a pitch accent, but here, many non-focused nouns (and some adjectives) are accented.…”
Section: Experiments 1—christmas Tree Decorationsupporting
confidence: 88%
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“…It would appear that the pitch accents accounted for the majority of the F0 variance related to focus; the pitch accenting factors were always present in the optimal F0 models. While the use of pitch accents in focus marking was not a question of the current analysis, the trends of use accord with expectations based on previous studies of accenting (Bolinger, 1972; Ito et al, 2004; Ito & Speer, 2006; Turnbull et al, 2014): in the NP focus condition, 199 (69.3%) of the phrases were realized with a high–high sequence; in the adjective focus condition, 113 (39.5%) of the phrases were realized with a rising–unaccented sequence, and 87 (30.4%) with a high–high sequence; and in the noun focus condition, 152 (55.5%) phrases were realized with a high–high sequence, and 52 (19.0%) with a high–rising sequence. From the point of view of contemporary theories of information structure, one aspect of these results is striking: non-focused material is not expected to bear a pitch accent, but here, many non-focused nouns (and some adjectives) are accented.…”
Section: Experiments 1—christmas Tree Decorationsupporting
confidence: 88%
“…When the following noun bore a rising accent, a significantly lower F0 was observed on the adjective ( M = 165 Hz, SD = 54.0 Hz), compared to when the following noun was high ( M = 171 Hz, SD = 56.0 Hz) or unaccented ( M = 175 Hz, SD = 54.9 Hz). This effect is consistent with the notion that prosodic prominence, implemented via F0, is inherently relative: a word is only prominent insofar as it is distinct from other words (Kohler, 2008; Turnbull, Royer, Ito, & Speer, 2014). In addition, this effect speaks to the notion that phonetic implementation of pitch accents is not mere interpolation between acoustic targets.…”
Section: Experiments 1—christmas Tree Decorationsupporting
confidence: 87%
“…The ongoing study compares such ‘laboratory speech’ to spontaneous speech produced by a naïve speaker in a similar decoration task (Ito & Speer ). Despite measurable differences in the implementation of pitch accents between the trained and spontaneous speakers (Turnbull et al ), results with the spontaneous speech replicate past findings, demonstrating that the effect of a prominent accent is not an artifact of laboratory speech.…”
Section: Case Studiessupporting
confidence: 75%
“…Importantly, prosodic focus may facilitate word learning by helping listeners map perceptually salient words onto referents that are contextually new or contrastive in the discourse. In English, these prosodically focused words, through specific pitch range movements and expansion, can affect the listener's attention patterns to relevant referents [15]. At the same time, listeners also perceive prosodically focused words for their contextual importance in the discourse structure; listeners not only process what is accented, as an acoustic cue, but also draw significance in meaning from what is not accented.…”
Section: Introductionmentioning
confidence: 99%