The Use of Structural Methodology in Postmodern Concepts of Technology

Abstract

The article is aimed at defining the possibilities for structural methodology to understand the phenomenon of modern technology. Some principles of postmodernists’ structural research are highlighted. The embodiment of these principles in the analytical discourse is shown, considering the state and development of technical activities and how they allow one to assess and predict future events. These predictions about mechanization, informatization and virtualization of almost all areas of modern society are contemplated pessimistic by some thinkers and optimistic by others. The conducted study showed that the structural methodology is a fairly effective means of philosophical understanding of the phenomena of technical reality. More and more people become involved in technology, and it is generally not perceived as involved in global threats. Instead, the dynamics and the consequences of structural transformations in the technical field are deeply interpreted by philosophers, who formulate their predictions and thus signal the dangers to culture and civilization.

Philosophy of Postmodernism as a Marker of Modern Linguistic Methodology of Research on Interlinguistic Communication

“…The analysis of scientific publications on this theme showed that the problems of science methodology had become the subject of attention of domestic and foreign philosophers and scientists. The problems of the methodology of scientific research in the aspect of the relationship between philosophy and science are noted in the works of Chursinova (2021) Klimenyuk (2012), Leshhak (2002) and Nosirova (2023) are shedding light on the current state of linguistic methodology and its correspondence to the demands of the humanistic oriented culture of Postmodernism. The theme of the use of a narrative form in linguistics in the paradigm of the methodology of postmodernism is revealed in the works of Bekhta (2015), Mahkamova (2018), Marmolejo-Ramos et al (2014) and Onopriyenko (2010).…”