Theorizing the production and consumption of live music

Abstract

This is a pre-print version of a chapter published in the book 'The Future of Live Music' (edited by Ewa Mazierska, Les Gillon, and Tony Rigg). This research was conducted in the context of the POPLIVE project (Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities -www.poplive.nl).