Uso de drones con fines informativos en empresas de televisión en España

Gallardo-Camacho, Jorge; Lavín, Eva

doi:10.3145/epi.2016.mar.08

Cited by 6 publications

(6 citation statements)

References 4 publications

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“…Its positive contribution has also been assessed by Turkish news agencies for its ability to record images in places that are difficult to access (Budak, 2019), sometimes replacing the use of eyewitnesses, who sometimes imply sound and visual manipulation of the event that diminishes the critical and informative role of the media (Spaziante, 2018). Recording images with drones requires knowledge of audiovisual language, so more and more drone pilots with journalistic goals work as television camera operators in Spain (Gallardo-Camacho & Lavín, 2016).…”

Section: Journalism and Dronesmentioning

confidence: 99%

“…Fernández-Barrero, 2018;Holton, Lawson, and Love (2015); Rule (2015); Sekander, Tabassum, and Hossain (2018); Adams (2019); Galvane et al (2018); Mademlis et al (2019); Contribution of drones to the media. Tham, Selem, and Ogulin (2017) Ferguson and Greer (2019); Gallardo-Camacho and Lavín (2016) Use of drones for news purposes on television. Budak (2019) Use of drones in news agencies.…”

Section: Authorsmentioning

confidence: 99%

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Audience Attention and Emotion in News Filmed with Drones: A Neuromarketing Research

Viniegra

García-García

Martín-Moraleda

2020

MaC

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Emotional journalism is being driven by audiovisual technology such as drones, also known as unmanned aerial vehicles, which have demonstrated their usefulness in transforming objective news into news stories from a new visual perspective, facilitating access to dangerous or difficult places. They also allow for greater immersion by an audience that has become an active participant in the news, and they contribute to the storytelling of communication despite the risk to privacy and security that their misuse might entail. The aim of this research is to determine the differences in attention and intensity of the emotions experienced when viewing two pieces of audiovisual news: One was filmed with the technological support of a drone, and the other was produced in the conventional way. The techniques of eye tracking and galvanic skin response were used in 30 Spanish university students. The results suggest that attention was focused on the most spectacular visual elements, although the images filmed with a drone received a higher concentration of attention from the subjects, and this attention was spread throughout the entire image, which demonstrates that drones enhance the effectiveness of panoramic images with natural landscapes. The greatest emotion generated by viewing the images recorded with drones was statistically significant, but it was limited exclusively to these particular scenes, and not to the entire recording of the news.

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Section: Journalism and Dronesmentioning

confidence: 99%

Section: Authorsmentioning

confidence: 99%

Audience Attention and Emotion in News Filmed with Drones: A Neuromarketing Research

Viniegra

García-García

Martín-Moraleda

2020

MaC

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“…Private television companies sometimes commission the filming of aerial footage but at very low fees which, according to drone pilots, are not enough to make a living out of this profession. In 2016, natural disaster footage represented 72% of all the images shoot by drones and broadcast in news programs in Spain (Gallardo-Camacho & Lavín, 2016).…”

Section: Introductionmentioning

confidence: 99%

“…The use of drones in Spain was regulated from 2014 to 2017 by the Royal Decree 552/2014, which established that drones weighing less than two kilograms could only fly over unpopulated areas and below 122 meters (Gallardo-Camacho & Lavín, 2016). The Royal Decree 1036/2017, which defined the new regulatory framework for drones in Spain, allows drone flights over urban areas, crowds, and in non-controlled airspace, provided they are within the visual line of sight, have a maximum takeoff weight lower than 10 kilograms, and keep a 50-meter horizontal distance from buildings or people (Ministry of Interior, 2017).…”

Section: Introductionmentioning

confidence: 99%

“…However, there are some research works that address drone journalism from different perspectives: its ethical considerations (Bartzen Culver, 2014); the implications and awareness of privacy regulations in the use of drones for newsgathering purposes (Finn & Wright, 2016;McIntyre, 2015); the journalistic features of the stories made with UAVs (Adams, 2018;Şahin, 2018); the ethical principles of journalists who used UAVs despite bans in the United States of America and their role as disruptive innovators (Belair-Gagnon et al, 2017), and expectations and experiences in relation to the use of drones in sporting events (Hebbel-Seeger et al, 2017). In case of Spain, the studies of Gallardo-Camacho and Lavín (2016) and Fernández Barrero (2018) have examined the situation of the use of drones in journalism.…”

Section: Introductionmentioning

confidence: 99%

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Relationships between Law Enforcement Authorities and Drone Journalists in Spain

Gallardo-Camacho

Breijo

2020

MaC

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The article analyzes the relationship between law enforcement authorities and drone journalists, professionals who use unmanned aerial vehicles (UAVs) for newsgathering purposes, in Spain. The study has two specific objectives. First, to identify the criteria that law enforcement authorities have set for the public dissemination in traditional and social media of the drone footage they have obtained as part of their police operations, and to characterize the relationship that exists between law enforcement authorities and drone journalists. The study is guided by three hypotheses: Spanish law enforcement authorities have more capacity than journalists to shoot aerial news footage (H1); for Spanish law enforcement authorities, the informational use that can be made of the drone footage they obtain is of secondary importance (H2); and drone journalists feel their work is heavily restricted by law enforcement authorities (H3). These hypotheses are tested with the use of in-depth interviews with representatives of three law enforcement organizations in Spain and five drone pilots who have collaborated with news media outlets. The study concludes that the current regulatory framework for UAVs in Spain is very restrictive, in comparison to other countries, which prevents the development of drone journalism.

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Privacidad frente al uso de drones con fines periodísticos. Marco regulador de Estados Unidos y Europa

Aguado-Guadalupe

2021

RCom

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El artículo analiza la repercusión en la actividad periodística de las medidas reguladoras aprobadas por parte de Estados Unidos y Europa para proteger la privacidad frente al uso de drones. Se estudian las similitudes y diferencias entre las disposiciones adoptadas. Se observa que en Estados Unidos se opta por recomendaciones, donde prevalece la voluntariedad del usuario del dron frente al derecho de terceros a la privacidad. Si bien hay excepciones, como los casos de los estados de Texas y California, donde se considera un delito contra la privacidad el uso de drones sin la debida autorización. En Europa, la normativa es aplicable a todos los países miembros, y el sistema es más garantista, considerando los principios de necesidad y transparencia.

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Uso de drones con fines informativos en empresas de televisión en España

Cited by 6 publications

References 4 publications

Audience Attention and Emotion in News Filmed with Drones: A Neuromarketing Research

Audience Attention and Emotion in News Filmed with Drones: A Neuromarketing Research

Relationships between Law Enforcement Authorities and Drone Journalists in Spain

Privacidad frente al uso de drones con fines periodísticos. Marco regulador de Estados Unidos y Europa

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