2013
DOI: 10.1080/17543266.2013.793742
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Viewing the mobile body as the source of the design process

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Cited by 9 publications
(11 citation statements)
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“…Focusing on the fact that dressed humans move, Inês Simões (2012Simões ( , 2013 suggests the creation of block patterns that better embody this moving essence, targeting the representation of the body as a 'mobile entity' (Simões, 2013). Expanding on this, Lindqvist (2015) proposes an alternative to the well-established method of measuring the human body via the tailoring matrix (or the measurement of the human body by parallel and vertical lines).…”
Section: From Industrial Practice To Academic Discussionmentioning
confidence: 99%
“…Focusing on the fact that dressed humans move, Inês Simões (2012Simões ( , 2013 suggests the creation of block patterns that better embody this moving essence, targeting the representation of the body as a 'mobile entity' (Simões, 2013). Expanding on this, Lindqvist (2015) proposes an alternative to the well-established method of measuring the human body via the tailoring matrix (or the measurement of the human body by parallel and vertical lines).…”
Section: From Industrial Practice To Academic Discussionmentioning
confidence: 99%
“…A study that focuses on non-stretch woven fabrics is The Contributions for a New Body Representation Paradigm in Pattern Design, by Inês Simões (2012). By integrating everyday body movements into the pattern drafting process, Simoes (2013) developed an alternative mannequin design and basic pattern blocks. Although these are inspired by the mobile body, they do not differ from or challenge how traditional pattern blocks are divided on the body (see Figure 3).…”
Section: Alternative Pattern Drafting Practicesmentioning
confidence: 99%
“…researchers likeSimoes (2013),Wang (2012), andMcCann et al (2009) have developed alternative pattern blocks, these are for adults and are either too closely related to the traditional pattern blocks or limited to the use of stretch fabrics. The development of alternative kinetic pattern blocks from the three kinetic one-piece patterns developed in section 4.4.1.2. will therefore be guided by two other factors: 1) the direction and location of grading lines needed to develop the size ranges from the one-piece kinetic pattern blocks, and 2) the seam lines found in activewear and sportswear.…”
mentioning
confidence: 99%
“…This trend is covering over the problem of fit, rather than contributing to better fit (Tyler, Mitchell, & Gill, 2012). Ultimately, apparel practitioners rely on fabric attributes rather than providing pattern shapes suited to the design (Simoes, 2013).…”
Section: Introductionmentioning
confidence: 99%