2011
DOI: 10.1111/j.1469-8129.2010.00478.x
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Viral nationalism: romantic intellectuals on the move in nineteenth‐century Europe

Abstract: Intellectuals were important to the spread of nationalist ideology in nineteenth-century Europe for a variety of reasons. Firstly, their works facilitated the international spread of the discourse of nationalism; secondly, they mediated between the fields of political institutions and cultural reflection. This article looks at the international mobility and networks of romantic-nationalist intellectuals, and uses the case of August Heinrich Hoffmann von Fallersleben (1798-1874) as an example. The starting poin… Show more

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Cited by 24 publications
(12 citation statements)
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“…On the one hand, acting as a perceived threat to national identity (see, e.g., Quillian 1995, Ceobanu andEscandell 2010), persistence of a foreign culture in the host society is bound to erode the natives' perceived strength of national identity (see, e.g., Hillman We contend that, all else equal, the longevity of national identity matters for natives' preferences about the need for immigrants' assimilation because the longevity of national identity shapes the perceived resilience of national identity in the face of an alternative-immigrantculture. Consistent with the literature on nationalism and the nation state (see, e.g., Smith 1978, Meyer et al 1997, Greenfeld 1992, Leerssen 2011, Elkins 2010, Wimmer 2012, we view national identity as a cultural phenomenon that diffuses through social networks. In a polity where a sense of a common national identity has permeated social networks for a long period of time (c=o, where o stands for old), national identity will tend to be well-entrenched.…”
supporting
confidence: 67%
“…On the one hand, acting as a perceived threat to national identity (see, e.g., Quillian 1995, Ceobanu andEscandell 2010), persistence of a foreign culture in the host society is bound to erode the natives' perceived strength of national identity (see, e.g., Hillman We contend that, all else equal, the longevity of national identity matters for natives' preferences about the need for immigrants' assimilation because the longevity of national identity shapes the perceived resilience of national identity in the face of an alternative-immigrantculture. Consistent with the literature on nationalism and the nation state (see, e.g., Smith 1978, Meyer et al 1997, Greenfeld 1992, Leerssen 2011, Elkins 2010, Wimmer 2012, we view national identity as a cultural phenomenon that diffuses through social networks. In a polity where a sense of a common national identity has permeated social networks for a long period of time (c=o, where o stands for old), national identity will tend to be well-entrenched.…”
supporting
confidence: 67%
“…Moreover, different groups of Polish volunteers, led by Adam Mickiewicz, Wojciech Chrzanowski and others, took part in both the 1848‐9 revolutions and wars in Italy (Lewak : 18–21). The bond between the two nations was reaffirmed and strengthened: Mickiewicz, the romantic and nationalist poet who was regarded in Italy as the ‘ambassador’ of the Polish national cause (Leerssen : 259), in his project of a Polish Legion declared:
serving Italy, Poles hasten the liberation of their country; co‐operating in the dissolution of the Austrian empire, they will free five million Polish subjects of this empire and provide to Illyria, Dalmatia, Croatia – neighboring Slavic regions of Italy – the occasion to implement their national aspirations. (Mickiewicz : 361)
…”
Section: Previous Experiencesmentioning
confidence: 99%
“…He is a member of literary and artistic salons, and of the editorial committees of literary and artistic journals in one or more languages. A cultural mediator can be seen as a peripatetic ‘migrant’, thus demonstrating and underlining his intercultural and international outlook (Meylaerts ; Leerssen ; D'hulst , 143–150).…”
Section: Introductionmentioning
confidence: 99%
“…Why would we study cultural mediators in this context? First of all, to an even greater extent than the revered figures of the national literary and cultural tradition, cultural mediators or passeurs , as Werner, Espagne, Middell, Leerssen and Charle have shown in their research on the history of cultural transfers, are the true architects of the common frames of reference and of (sub)national or international cultural identities (Espagne & Werner ; Charle ; Middell & Naumann , 153; Leerssen ). A focus on intercultural mediators will therefore result in an essential revision of literary and artistic historiography.…”
Section: Introductionmentioning
confidence: 99%