Abstract:This article focuses on the micro-budget Uruguayan horror movie, La casa muda/The Silent House (Hernández, 2010), as exemplar of the difficulties Uruguayan filmmakers face in production and (international) distribution and the innovative means they develop to negotiate these issues. Like many Uruguayan films, La casa muda premiered internationally (at the Cannes Film Festival) and, as outlined in the article, it follows a similar aesthetic and narrative 'backgrounding' of the nation (the deliberate erasure of … Show more
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