2016
DOI: 10.1386/smt.10.1.37_1
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‘What’s bigger than a standing ovation?’: Intimacy and spectacle at the Tony Awards

Abstract: General rightsThis document is made available in accordance with publisher policies. Please cite only the published version using the reference above. In 1963, J. S. Siegels described two opposing methods by which artists could affect their audiences. The first was an aesthetic of grandeur: 'a principle of force, based on the sheer size and power of the impression'. The second was an aesthetic of intimacy, 'a principle of attraction: it demands a closeness of association between subject and audience, and neces… Show more

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