Where to Draw The Line?

Abstract

We often take people’s ability to understand and produce line drawings for granted. But where should we draw lines, and why? We address fundamental principles that underlie efficient representations of complex information in line drawings. First, 58 participants with varying degree of artistic experience produced multiple drawings of a small set of scenes by tracing contours on a digital tablet. Second, 37 independent observers ranked the drawings by how representative they are of the original photograph. Overall, artists’ drawings ranked higher than non-artists’. Matching contours between drawings of the same scene revealed that the most consistently drawn contours tend to be drawn earlier. We generated half-images with the most-versus least-consistently drawn contours by sorting contours by their consistency scores. Twenty five observers performed significantly better in a fast scene categorization task for the most compared to the least consistent half-images. The most consistent contours were longer and more likely to depict occlusion boundaries. Using psychophysics experiments and computational analysis, we confirmed quantitatively what makes certain contours in line drawings special: longer contours mark occlusion boundaries and aid rapid scene recognition. They allow artist and non-artists to convey important information starting from the first few strokes in their drawing process.