Abstract:The present article investigates the polysemic world of audiovisual digital objects of popular culture, using as a case study the video "Yes, We Can" which has been produced by the popular music producer and song writer will.i.am. "Yes, We Can" is a mashup music video which includes excerpts from Barack Obama's campaign speech (2008 pre-election campaign), featuring many celebrities. The analysis (decoding and interpretation) of "Yes, We Can" is based on a new synthetic multimodal model, following the premise … Show more
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