10. Diversity, Equity, Inclusion, and Racial Injustice in the Classical Music Professions

Abstract

a public institution inaugurated in January and co-funded by the French State and the city of Paris. He started his career as Associate Director of the Théâtre de l'Est lyonnais, and was then appointed General Administrator of the Atelier Lyrique du Rhin, an institution which fosters the creation of contemporary lyric opera. In 1982, he created and became the General Director of the Festival Musica in Strasbourg, an event dedicated to contemporary music and still successful today. In 1987, he was appointed Artistic Director of Ircam (the Institute for Music/Acoustic Research and Coordination), then directed by Pierre Boulez, whom he would succeed in 1992. In 2001, he became General Manager of the Cité de la musique in Paris. In 2006, the Minister of Culture entrusted him with the implementation of the reopening of the Salle Pleyel and with the Mayor of Paris announced a project to create a large symphony hall in Paris. It marked the birth of a new public institution, "Cité de la musique -Philharmonie de Paris," a large facility including three concert halls, the Musée de la musique, an educational center focused on collective practice, and numerous digital music resources. In 2010, Laurent Bayle implemented a children's orchestra project baptized Démos, a social and orchestral structure for music education in disadvantaged neighborhoods, a project developed throughout the national territory with the aim of reaching sixty orchestras by 2020. In April 2018, Laurent Bayle was entrusted with the successful mission of integrating the