Handbücher Zur Sprach- Und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science (HSK) 38/2 2014
DOI: 10.1515/9783110302028.2112
|View full text |Cite
|
Sign up to set email alerts
|

167. Gesture as interactive expressive movement: Inter-affectivity in face-to-face communication

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
3
0
2

Year Published

2014
2014
2024
2024

Publication Types

Select...
5
4

Relationship

2
7

Authors

Journals

citations
Cited by 11 publications
(5 citation statements)
references
References 3 publications
0
3
0
2
Order By: Relevance
“…Stance-taking is thus embodied in how we communicate, and it unfolds as the interaction proceeds. Moreover, Horst et al, (2014) explain that the unfolding of stance within the course of interaction:…”
Section: Stance-taking As An Identity Construction In Advertising Tar...mentioning
confidence: 99%
“…Stance-taking is thus embodied in how we communicate, and it unfolds as the interaction proceeds. Moreover, Horst et al, (2014) explain that the unfolding of stance within the course of interaction:…”
Section: Stance-taking As An Identity Construction In Advertising Tar...mentioning
confidence: 99%
“…In face-to-face communication, an expressive movement is a gesture, a vocal interaction, or facial expression of affect that becomes perceivable for the interlocutor or even co-involves her or him (Gallagher 2008;Horst et al this volume;Müller volume 1;Plessner [1941Plessner [ ] 1970Stern 2010). In face-to-face communication, an expressive movement is a gesture, a vocal interaction, or facial expression of affect that becomes perceivable for the interlocutor or even co-involves her or him (Gallagher 2008;Horst et al this volume;Müller volume 1;Plessner [1941Plessner [ ] 1970Stern 2010).…”
Section: Framework: Film and Media Studies And Applied Linguisticsmentioning
confidence: 99%
“…Horst et al this volume;Greifenstein and Kappelhoff this volume;Kappelhoff and Müller 2011;Müller volume 1). In this view, a spectator is conceived of as an embodied subject intertwined with the film, and film is considered as making visible and audible two communicative acts at once: Film presents perception scenarios (a perceiving act) while at the same time it shows compositions of movement patterns (an expressing act).…”
Section: Conclusion: Embodiment a Ect Metaphor And Timementioning
confidence: 99%