2016
DOI: 10.1111/psyp.12654
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40‐Hz oscillations underlying perceptual binding in young and older adults

Abstract: Auditory object perception requires binding of elementary features of complex stimuli. Synchronization of high-frequency oscillation in neural networks has been proposed as an effective alternative to binding via hard-wired connections because binding in an oscillatory network can be dynamically adjusted to the ever-changing sensory environment. Previously, we demonstrated in young adults that gamma oscillations are critical for sensory integration and found that they were affected by concurrent noise. Here, w… Show more

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Cited by 17 publications
(27 citation statements)
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“…P2 amplitude also appears to be stronger in musicians (Shahin et al, 2003 ; Kuriki et al, 2006 ; Bidelman and Weiss, 2014 ; though this has not been observed in all studies Musacchia et al, 2008 ). P2, along with the P1 and the intervening negativity, is affected by stimulus parameters including frequency, location, duration, intensity, and presence of noise (reviewed in Alain et al, 2013 ; see also Ross and Fujioka, 2016 ), is affected by short-term training (Lappe et al, 2011 ; Tremblay et al, 2014 ), and is correlated with language-related performance measures such as categorical speech perception (Bidelman and Weiss, 2014 ). While P2 amplitude is affected by repetition and predictability (Näätänen and Picton, 1987 ; Tremblay et al, 2014 ), the relationships we observe here between the P2 amplitude and SIN performance are unlikely to be unique to the high number of repetitions used in this experiment, as the relationship between P2 and SIN has been previously observed with fewer trials (Cunningham et al, 2001 ).…”
Section: Discussionmentioning
confidence: 99%
“…P2 amplitude also appears to be stronger in musicians (Shahin et al, 2003 ; Kuriki et al, 2006 ; Bidelman and Weiss, 2014 ; though this has not been observed in all studies Musacchia et al, 2008 ). P2, along with the P1 and the intervening negativity, is affected by stimulus parameters including frequency, location, duration, intensity, and presence of noise (reviewed in Alain et al, 2013 ; see also Ross and Fujioka, 2016 ), is affected by short-term training (Lappe et al, 2011 ; Tremblay et al, 2014 ), and is correlated with language-related performance measures such as categorical speech perception (Bidelman and Weiss, 2014 ). While P2 amplitude is affected by repetition and predictability (Näätänen and Picton, 1987 ; Tremblay et al, 2014 ), the relationships we observe here between the P2 amplitude and SIN performance are unlikely to be unique to the high number of repetitions used in this experiment, as the relationship between P2 and SIN has been previously observed with fewer trials (Cunningham et al, 2001 ).…”
Section: Discussionmentioning
confidence: 99%
“…P2 amplitude also appears to be stronger in musicians [Bidelman and Weiss, 2014; Kuriki et al, 2006; Shahin et al, 2003] (though this has not been observed in all studies [Musacchia et al, 2008]). P2, along with the Pl and the intervening negativity, is affected by stimulus parameters including frequency, location, duration, intensity, and presence of noise (reviewed in [Alain et al, 2013]; see also [Ross and Fujioka, 2016]), is affected by short-term training [Lappe et al, 2011; Tremblay et al, 2014], and is correlated with language–related performance measures such as categorical speech perception [Bidelman and Weiss, 2014]. The findings suggest that the underlying processes are critical to sound representation generally, though the nature and roles of component processes represented in the P2 and their relationships to oscillatory brain networks are still being clarified (e.g.…”
Section: Discussionmentioning
confidence: 99%
“…The findings suggest that the underlying processes are critical to sound representation generally, though the nature and roles of component processes represented in the P2 and their relationships to oscillatory brain networks are still being clarified (e.g. [Ross et al, 2012; Ross and Fujioka, 2016]).…”
Section: Discussionmentioning
confidence: 99%
“…For perception, the features of the sensory input are compared with internal memory representation and combined into meaningful objects. Synchrony in gamma oscillations plays a crucial role in this perceptual binding process (Ross & Fujioka, ; Singer, ). Thus, gamma oscillations seem to have an essential function for speech understanding.…”
Section: Discussionmentioning
confidence: 99%
“…However, several authors emphasized the oscillatory nature of the activity (Pantev, ; Tiitinen et al., ). The roles of gamma oscillations for precise neural timing (Buzśaki & Wang, ; Cardin et al., ; Li, Morita, Robinson, & Small, ; Nikolić, Fries, & Singer, ) and perceptual binding (Engel & Singer, ; Ross & Fujioka, ) have been discussed in recent years. Beyond sensory encoding, the auditory evoked gamma response is involved central processes of extracting the meaning of sound, such as in perceptual organization of an auditory stream (Noda, Kanzaki, & Takahashi, ).…”
Section: Introductionmentioning
confidence: 99%