The German and Dutch historiography of eighteenth-century patriotism
defines two different forms of patriotism. It is either presented as an enlightened
and virtuous-eudemonic form of ʻlove for the fatherlandʼ based on reason, or as
an ideology that foreshadows nineteenth-century emphatic forms of aggressive
nationalism. A critical reading of the mid-eighteenth-century epics Cyrus
by
Christoph Martin Wieland and
De Gevallen van Friso by Willem van Haren shows
that the discourses are strongly intertwined. Heroism in these epics is based on a
personal experience of war acts and no longer on distanced and ʻtheatricalʼ
experiences of the military spectacle. It confronts us with aggressive war fantasies
related to early bellicism, as well as with pacifist statements. In
Cyrus, for
instance, the sentimental warrior inspires his fellow-soldiers to offer their blood
in the struggle against the enemy, but he has doubts about the war and shows
compassion with the enemy. Explorations of the effects of individual emotions
on the battlefield, prepared both further idealisations of patriotic war acts and a
more critical literary approach to war and fatherland.