2012
DOI: 10.1016/j.humimm.2012.07.200
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“…On the way down, however, the previously harmonic numbers take on a malevolent aspect, becoming the Ôfearful / Clicking of time in the hillsÕ; a mechanistic ÔclickingÕ not dissimilar to the clicking sound of the stocking mill which disturbed RousseauÕs reverie. 19 This quantified, external measure that seems imposed upon ÔRemote farms up in the hillsÕ bears uncomfortably close relation to the regular measure and metre of the Wordsworthian pedestrian poet with whom the speaker is aligned in the opening line, which plunges the reader into ÔWalking the mind walking the prosodyÕ. 20 ThomsonÕ.…”
Section: Jacques Rousseauõs Unfinished Autobiographical Work Reveriementioning
confidence: 99%
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“…On the way down, however, the previously harmonic numbers take on a malevolent aspect, becoming the Ôfearful / Clicking of time in the hillsÕ; a mechanistic ÔclickingÕ not dissimilar to the clicking sound of the stocking mill which disturbed RousseauÕs reverie. 19 This quantified, external measure that seems imposed upon ÔRemote farms up in the hillsÕ bears uncomfortably close relation to the regular measure and metre of the Wordsworthian pedestrian poet with whom the speaker is aligned in the opening line, which plunges the reader into ÔWalking the mind walking the prosodyÕ. 20 ThomsonÕ.…”
Section: Jacques Rousseauõs Unfinished Autobiographical Work Reveriementioning
confidence: 99%
“…19 This quantified, external measure that seems imposed upon ÔRemote farms up in the hillsÕ bears uncomfortably close relation to the regular measure and metre of the Wordsworthian pedestrian poet with whom the speaker is aligned in the opening line, which plunges the reader into ÔWalking the mind walking the prosodyÕ. 20 ThomsonÕ. James Thomson was the mid-eighteenth century loco-descriptive poet who did most to formalise and finesse the prospect poem, and whose syntactical rendering of the interwoven but rigid Claudean pastoral landscape set a type, John Barrell writes, in which the separation of the poet from the landscape he describes is reflected in the poetic vocabulary of the eighteenth century, and particularly in those words which are more or less interchangeable with the word ÔlandscapeÕ itself Ð ÔviewÕ, ÔprospectÕ, ÔsceneÕ Ð all of which make the land something out there, something to be looked at from a distance, and in one direction only.…”
Section: Jacques Rousseauõs Unfinished Autobiographical Work Reveriementioning
confidence: 99%
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