1997
DOI: 10.1023/a:1024907803718
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Cited by 7 publications
(1 citation statement)
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“…As Gillmore described them, 'The other artists were so many units in a remarkable show and spectacle'. 67 Marceline's auguste was a counterpoint to the graceful expertise and efficient execution of the finely polished spectacle of the New York Hippodrome's 'entertainment machine', a mechanism that harmoniously integrated performers as working parts. An act performing in this capacity risked its individuality becoming lost.…”
Section: Marceline At the London Hippodrome (1900-04)mentioning
confidence: 99%
“…As Gillmore described them, 'The other artists were so many units in a remarkable show and spectacle'. 67 Marceline's auguste was a counterpoint to the graceful expertise and efficient execution of the finely polished spectacle of the New York Hippodrome's 'entertainment machine', a mechanism that harmoniously integrated performers as working parts. An act performing in this capacity risked its individuality becoming lost.…”
Section: Marceline At the London Hippodrome (1900-04)mentioning
confidence: 99%