2023
DOI: 10.1111/muan.12263
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A city in a bunker in a city: Demilitarizing art in South Korea

Abstract: Located mere feet from the busy Yeouido Bus Transfer Center, the Seoul Museum of Art (SeMA) Bunker is a former military bunker from 1970s authoritarian South Korea that now showcases changing art exhibits. Debuting in November 2019, Paju (by artist Kim Seung Rea) features a series of paintings and statues capturing life in the town of Paju in the Geyeonggi Province near the border of the Demilitarized Zone (DMZ) that separates North and South Korea. As a critique of militarization, Paju not only offers a glimp… Show more

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Cited by 1 publication
(2 citation statements)
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“…The very infrastructural brutalism of the interrogation rooms in particular, to invoke Michael Truscello (2020, 2)-infrastructure that "isolates, toxifies, dispossesses, and immobilizes"-animates their continued relevance and patrons' acts of remembrance. As I detail elsewhere (Gitzen 2023), this transformation happens in other spaces in Korea, from former colonial buildings to repurposed military bunkers, each beckoning forth a past and inviting an imagining of a future arbitrated in the present. In comparison, military bunkers, another form of security infrastructure, represent a past that "is not over but remains the condition of possibility within which the present must be apprehended" (Beck 2011, 82).…”
Section: Epilogue Security's Undoingmentioning
confidence: 98%
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“…The very infrastructural brutalism of the interrogation rooms in particular, to invoke Michael Truscello (2020, 2)-infrastructure that "isolates, toxifies, dispossesses, and immobilizes"-animates their continued relevance and patrons' acts of remembrance. As I detail elsewhere (Gitzen 2023), this transformation happens in other spaces in Korea, from former colonial buildings to repurposed military bunkers, each beckoning forth a past and inviting an imagining of a future arbitrated in the present. In comparison, military bunkers, another form of security infrastructure, represent a past that "is not over but remains the condition of possibility within which the present must be apprehended" (Beck 2011, 82).…”
Section: Epilogue Security's Undoingmentioning
confidence: 98%
“…Doing so, Kwon argues, "allows us to cut across the impasses of imperial and nationalist binary rhetoric to redefine intimacy as an unstable play of affects informed by desire, longing, and affection-all of which coexisted with the betterknown violence and coercion undergirding empire" (ibid.). The interplay between intimacy and violence of the Japanese empire emerges in reverberations in Korean history and ruinations in its physical and psychic landscape (Stoler 2013), from colonial buildings turned museums (Gitzen 2023) to the actual violence of forced intimacy with comfort women (Soh 2008). 27 Yet the security state itself-including laws like the NSL, the military's anti-sodomy clause, and the Korean military system-is an intimate reverberation and ruin of Japanese colonialism that hinges on violence.…”
Section: National Security and The North Korean Othermentioning
confidence: 99%