2007
DOI: 10.25071/1913-9632.15042
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A Critical Theory of Subalternity: Rethinking Class in Indian Historiography

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Cited by 11 publications
(9 citation statements)
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“…In her critique of the Subaltern Studies Group, Gayatri Spivak argued that the subaltern will always be lost in-between hegemonic discourses, and so the "subaltern cannot speak" as hegemonic discourses are always at play (Spivak, 1999). The subaltern as a school of critical thought is ongoing (Chaturvedi, 2007) and goes deeper than this of course. We find the concept useful to highlight that "hidden" discourses are at play and that some things are inadvertently marginalized.…”
Section: The Analytical Construct "Subalternalizing"mentioning
confidence: 99%
“…In her critique of the Subaltern Studies Group, Gayatri Spivak argued that the subaltern will always be lost in-between hegemonic discourses, and so the "subaltern cannot speak" as hegemonic discourses are always at play (Spivak, 1999). The subaltern as a school of critical thought is ongoing (Chaturvedi, 2007) and goes deeper than this of course. We find the concept useful to highlight that "hidden" discourses are at play and that some things are inadvertently marginalized.…”
Section: The Analytical Construct "Subalternalizing"mentioning
confidence: 99%
“…Lastly, the participatory method of defining poverty is about the inability of the poor to contribute their perspective. This approach resonates with the critical and postcolonial theory of the ‘subaltern’ which was first defined by Gramsci (1971), and later popularised by other authors (for instance, Chaturverdi, 2007; Maggio, 2007; Spivak, 2005). In postcolonial theory, a subaltern is an individual who has been excluded from the political, social and geographical hegemonic power structures of the homeland, having no political representation by which people have a voice (Mkono, 2016; Spivak, 2005).…”
Section: Poverty and Mountain Destinationsmentioning
confidence: 54%
“…Such discourses (often the voices of dissent) question the dominant agendas and oppressive practices, and the hegemonic construction of the marginalized as devoid of agency (Reed 2005). Scholars have noted that the voices and agency from the margins, and even the indirect or passive defiance, are the 'stubborn bedrock' of nonconformities and skepticism, and also the key organizing force to imagining social transformation (Chaturvedi 2007;Scott 1990). Harter et al (2009) noted that, in marginalized contexts, artistic performances can serve as useful tools to question dominant discourses and oppressions, and to create transformative possibilities.…”
Section: Neoliberal Transformation Of Baul Spacesmentioning
confidence: 99%