The Reasonable Audience 2018
DOI: 10.1007/978-3-319-99166-5_4
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A Defence of Theatre Etiquette

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“…Additionally, their work on Alice, which attracted niche audiences, made the company realise that the accessibility gains extended to neurodiverse audience members, who were now more able to participate in live shows. On the digital stage, neurodiverse viewers could interact with the performers in ways impossible in a shared space, where, as Kirsty Sedgman (2018) has shown, theatre etiquette is still often rigorously enforced by neurotypical audiences. While acutely aware of the 'digital divide' that was continuing to prevent audience members without a digital device or stable internet from participating, the company was also mindful of the real gains of digital performance for young viewers from diverse backgrounds.…”
Section: Rethinkmentioning
confidence: 99%
“…Additionally, their work on Alice, which attracted niche audiences, made the company realise that the accessibility gains extended to neurodiverse audience members, who were now more able to participate in live shows. On the digital stage, neurodiverse viewers could interact with the performers in ways impossible in a shared space, where, as Kirsty Sedgman (2018) has shown, theatre etiquette is still often rigorously enforced by neurotypical audiences. While acutely aware of the 'digital divide' that was continuing to prevent audience members without a digital device or stable internet from participating, the company was also mindful of the real gains of digital performance for young viewers from diverse backgrounds.…”
Section: Rethinkmentioning
confidence: 99%