“…The conventional three pillars model of sustainability has been extensively discussed in sustainable urban planning and in sustainable regions, cities and neighborhoods (Berardi, ; Coelho et al ., ; Cuthill, ; Dempsey et al ., ; Keirstead and Leach, ; Martin and Rice, ; Martin et al ., ; Mieg, ; Williams and Dair, ; Winston, ; Zavadskas and Antucheviciene, ), with some discussion adding other dimensions such as institutional and governance (Coelho et al ., ; Cuthill, ; Martin and Rice, ). Cultural sustainability, however, was not specifically stated but only occasionally discussed under the broader context of social sustainability, such as - cultural symbolism as a sub‐branch of social sustainability (Martin and Rice, ; Yung et al ., )
- conservation of local culture and heritage as a sustainability objective (Hartmuth et al ., ; Mieg, ; Ryan and Wayuparb, ; Williams and Dair, )
- promotion of cultural identity (Ryan and Wayuparb, ; Weingaertner and Moberg, ; Yung et al ., )
- perseveration of cultural diversity (Hartmuth et al ., ; Yung et al ., )
- attachment to place, sense of place and belongingness (Ryan and Wayuparb, ; Weingaertner and Moberg, ; Yung et al ., )
- collective memory, feeling of rootedness (Yung et al ., )
- neighborhood attractiveness (Dave, ; Yung et al ., )
- aesthetic, recreational value, and inspiring creativity (Ryan and Wayuparb, ).
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