2009
DOI: 10.1016/j.infsof.2008.09.002
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A framework for understanding creativity in requirements engineering

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Cited by 114 publications
(68 citation statements)
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References 48 publications
(66 reference statements)
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“…Typically, research into creativity has occurred in a general sense (such as (Dorst & Cross, 2001;Gero, 1996)) or in the context of the earlier design stages (such as (Nguyen & Shanks, 2009;Shai, Reich, & Rubin, 2009)). The focus of this work is on the less-researched stages defined here as embodiment and detail, and henceforth referred to as later stages.…”
Section: Detailmentioning
confidence: 99%
“…Typically, research into creativity has occurred in a general sense (such as (Dorst & Cross, 2001;Gero, 1996)) or in the context of the earlier design stages (such as (Nguyen & Shanks, 2009;Shai, Reich, & Rubin, 2009)). The focus of this work is on the less-researched stages defined here as embodiment and detail, and henceforth referred to as later stages.…”
Section: Detailmentioning
confidence: 99%
“…Nguyen and Shanks [17] describe requirements elicitation as an ill-structured problem due to its openness, its context poorly understood and the existence of multiple domains. For Nguyen, solving problems in requirements elicitation requires a complex and dynamic social interaction between domain specialists and developers.…”
Section: Formality and Informalitymentioning
confidence: 99%
“…A criatividade pode ser definida como um processo mental que envolve a geração de ideias inéditas e inovadoras [14] e pode ser classificada como exploratória, combinacional ou transformacional [15]. No contexto da engenharia de requisitos, Maiden [16] afirma que essa classificação varia de acordo com as técnicas e heurísticas utilizadas.…”
Section: Fundamentação Teórica E Trabalhos Relacionadosunclassified