2014
DOI: 10.26530/oapen_533870
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A grammar of Pite Saami

Abstract: Language Science Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables and other factual information given in this work are correct at the time of first publication but Language Science Press does not guarantee the accuracy of such information thereafter. Muv vienagijda Á… Show more

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Cited by 21 publications
(11 citation statements)
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“…Some other highly inflecting languages (particularly of the fusional type) show cross-cutting morphological phenomena that should be considered morphomic because they are synchronically not phonological and apply to an unnatural set of morphosyntactic contexts. This is the case, for example, of consonant gradation and vowel apophony in Sami, see Table 12 As explained by Wilbur (2015), consonant gradation (strong grade indicated in light grey above) is no longer phonologically predictable in Pite Sami (nor in the other Sami varieties for that matter). Also, although Wilbur (2015) chooses the term "vowel harmony" to refer to vowel alternations like the one shaded in dark gray here, these are no longer phonologically determined assimilations in Pite Sami.…”
Section: Morphomes Which Cross-cut Each Othermentioning
confidence: 97%
“…Some other highly inflecting languages (particularly of the fusional type) show cross-cutting morphological phenomena that should be considered morphomic because they are synchronically not phonological and apply to an unnatural set of morphosyntactic contexts. This is the case, for example, of consonant gradation and vowel apophony in Sami, see Table 12 As explained by Wilbur (2015), consonant gradation (strong grade indicated in light grey above) is no longer phonologically predictable in Pite Sami (nor in the other Sami varieties for that matter). Also, although Wilbur (2015) chooses the term "vowel harmony" to refer to vowel alternations like the one shaded in dark gray here, these are no longer phonologically determined assimilations in Pite Sami.…”
Section: Morphomes Which Cross-cut Each Othermentioning
confidence: 97%
“…²⁰Note however that the description of vowel harmony on pages 79-81 in Wilbur (2014) is correct in its essence, but does not accurately reflect the status of this phenomenon as being truly phonological. Compiler (TWOLC) is used .…”
Section: Morphophonological Processes In Twolcmentioning
confidence: 97%
“…²⁰Note however that the description of vowel harmony on pages 79-81 in Wilbur (2014) is correct in its essence, but does not accurately reflect the status of this phenomenon as being truly phonological. A more thorough example is provided below in § 2.5.…”
Section: Morphophonological Processes In Twolcmentioning
confidence: 99%
“…Table 6 provides a few examples of differing adjective paradigms in order to provide an impression for the variation in patterning. Wilbur (2014) sets forth nine adjec¹²Whether comparative and superlative forms are types of morphological derivation or inflection, and whether case-marked adjective forms which occur in elliptical constructions should be included in the core adjectival paradigm, are theoretical discussions well beyond the scope of the current paper. tive inflectional classes,¹³ but the current analyses is well beyond that, and currently has 28 inflectional classes, with new classes added on a fairly regular basis as new adjectives are added to the database.¹⁴ To provide still another impression of how inconsistent adjectives are, the following figures are provided anecdotally.…”
Section: Lexc Inflectional Classes For Adjectivesmentioning
confidence: 99%
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