2003
DOI: 10.4337/9781781008003
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A Handbook of Cultural Economics

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Cited by 177 publications
(94 citation statements)
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“…Through recent decades the concept has been broadened in scope and in application by a number of scholars (e.g., Miége 1989, Towse 2003, Hesmondhalgh 2007. Underpinning the concept has been a concern about the strengthening relationship between industrial processes and cultural production, and the social implications of this for the creation, circulation and consumption of symbolic texts.…”
Section: Digital Games As a Global Cultural Industrymentioning
confidence: 99%
“…Through recent decades the concept has been broadened in scope and in application by a number of scholars (e.g., Miége 1989, Towse 2003, Hesmondhalgh 2007. Underpinning the concept has been a concern about the strengthening relationship between industrial processes and cultural production, and the social implications of this for the creation, circulation and consumption of symbolic texts.…”
Section: Digital Games As a Global Cultural Industrymentioning
confidence: 99%
“…All these things enable a context which is characterized by an interdependent network operation, flexible local labour markets and a certain type of competition that is fundamentally based on the qualitative attributes of assets, which are particularly important when work is project-oriented (instead of firm-career-oriented) -as is precisely the case of cultural activities (see Caves, 2002;Greffe, 2002;Towse, 2003).…”
Section: Agglomeration Urban Milieu and Creative Dynamics In Culturamentioning
confidence: 99%
“…The artistic sector, regardless (and also because…) of this functioning "by project" is one of the main examples of the fact that the use of a mere market rationale could produce totally equivocal results, as many have shown (cf. Caves, 2002, Throsby, 2001, Towse, 2003.…”
Section: Agglomeration Urban Milieu and Creative Dynamics In Culturamentioning
confidence: 99%
“…6.5. 26 Furthermore, less legal restrictions on the use of music online could trigger taste formation regarding music (Caves 2000;Towse 2003;Ginsburgh and Throsby 2006), learning about existing related technologies and foster user innovation. It is unlikely that the choice experiment fully captures such long-term effects.…”
Section: Long-term Effects On the Supply Of Recorded Musicmentioning
confidence: 99%