A human-centred deep learning approach facilitating design pedagogues to frame creative questions

Chaudhuri, Nandita Bhanja; Dhar, Debayan; Yammiyavar, Pradeep

doi:10.1007/s00521-021-06511-8

Cited by 3 publications

(1 citation statement)

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“…Taking Dunhuang cultural and creative products as an example, the current cultural and creative market is still shallow and narrow in terms of concept mining and practical application, which is far from enough to reflect the essence of excellent traditional culture and the value of life aesthetics. Therefore, inheriting, developing, developing, and developing the "new traditional cul-ture" with new connotations in the new era, based on deep learning, the cultural and creative design of Dunhuang frescoes in the Western Xia period is an urgent and innovative development path that needs to be explored [1,2].…”

Section: Introductionmentioning

confidence: 99%

Cultural and Creative Design of Dunhuang Murals in Xixia Period Based on Deep Learning

Yang

Wang

et al. 2022

Wireless Communications and Mobile Computing

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In today’s era of innovation and the vigorous development of the digital economy, globalization and antiglobalization are intertwined, and cultural dissemination and integration are gradually expanding the influence and scope of the era; the revival and inheritance of traditional culture have become increasingly important in our country. The development of the creative industry is becoming more and more vigorous and full of vitality. Based on deep learning algorithms, this paper studies the cultural and creative design of Dunhuang frescoes in the Western Xia period. This paper analyzes the shortcomings of the current cultural and creative market and the characteristics of high-quality cultural and creative design, analyzes the principles of cultural and creative design of cultural relics, etc., proposes a generative confrontation network model, establishes a modern cultural and creative design model, and provides a three-level cultural model for cultural and creative design. The process is analyzed. In the evaluation and analysis of users, it is concluded that the integration of traditional culture design factor score is 4.80, conforming to the modern aesthetic situation is 4.63, conforming to the user’s expectation of “elegant” is 4.73, and the comprehensive score is 4.72.

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Section: Introductionmentioning

confidence: 99%