[ research report ] C lassical ballet dancers are a unique combination of athlete and artist who perform complex movement patterns requiring both muscle strength and control. Ballet places particularly high demands on the trunk due to the requirement for extreme range of motion and tolerance of high compressive forces.1 A possible sequela of these spinal loads may be low back pain (LBP), which is consistently reported to be one of the most prevalent chronic injuries in professional ballet dancers. 2,9,14,25 In nondancers, LBP is associated with musculoskeletal changes, including alteration in muscle size, symmetry, 3,4,11,22 and fat content. 37 These changes include reduced cross-sectional area (CSA) of the multifidus in patients with acute, subacute, 22 and chronic LBP. 3,11 Two investigations found that people with unilateral LBP had a smaller multifidus on the side 3,22 and at the spinal level of pain.22 These changes were associated with longer symptom duration.3 Another study found that people with unilateral LBP had decreased CSA of the multifidus bilaterally and symmetrically.4 By contrast, when the CSA of the erector spinae has been differentiated from the multifidus, changes in CSA have not been demonstrated in active people with chronic LBP. 4,11 Changes in other muscles have been identified. The CSA of the psoas muscle has been shown to be reduced bilaterally in people with chronic LBP, 40 and this decrease in CSA has been associated with increased symptom duration on the painful side in individuals with unilateral LBP.3,10 In cricketers with LBP, when compared with pain-free cricketers, the T T STUDY DESIGN: Cross-sectional, observational study.
T T OBJECTIVES:To investigate the cross-sectional area (CSA) of trunk muscles in professional ballet dancers with and without low back pain (LBP).
T T BACKGROUND:LBP is the most prevalent chronic injury in classical ballet dancers. Research on nondancers has found changes in trunk muscle size and symmetry to be associated with LBP. There are no studies that examine these changes in ballet dancers.
T T METHODS:Magnetic resonance imaging was performed in 14 male and 17 female dancers. The CSAs of 4 muscles (multifidus, lumbar erector spinae, psoas, and quadratus lumborum) were measured and compared among 3 groups of dancers: those without LBP or hip pain (n = 8), those with LBP only (n = 13), and those with both hip-region pain and LBP (n = 10).
T T RESULTS:Dancers with no pain had larger multifidus muscles compared to those with LBP at L3-5 (P<.024) and those with both hip-region pain and LBP at L3 and L4 on the right side (P<.027). Multifidus CSA was larger on the left side at L4 and L5 in dancers with hip-region pain and LBP compared to those with LBP only (P<.033). Changes in CSA were not related to the side of pain (all, P>.05). The CSAs of the other muscles did not differ between groups. The psoas (P<.0001) and quadratus lumborum (P<.01) muscles were larger in male dancers compared to female dancers. There was a positive correlation between the size of th...