2022
DOI: 10.1080/14680777.2022.2047089
|View full text |Cite
|
Sign up to set email alerts
|

A monster, a pervert, and an anti-hero: the discursive construction of Harvey Weinstein, Kevin Spacey, and Louis C.K. in humorous #MeToo memes

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
4
1

Citation Types

0
5
0

Year Published

2022
2022
2024
2024

Publication Types

Select...
5
1

Relationship

0
6

Authors

Journals

citations
Cited by 9 publications
(5 citation statements)
references
References 32 publications
0
5
0
Order By: Relevance
“…Just as the fact that De Pauw is ‘funny’ and a comedian played a role here, this was seen previously in the response to the sexual misconduct allegations against American comedian Louis C.K. and the subsequent himpathy directed at him online (Andreasen, 2022: 5). 20…”
Section: Discussionmentioning
confidence: 63%
See 3 more Smart Citations
“…Just as the fact that De Pauw is ‘funny’ and a comedian played a role here, this was seen previously in the response to the sexual misconduct allegations against American comedian Louis C.K. and the subsequent himpathy directed at him online (Andreasen, 2022: 5). 20…”
Section: Discussionmentioning
confidence: 63%
“…Physically unattractive figures can rely on himpathetic responses much less as they are more easily constructed as the ‘monster’ sexual abuser (Boyle, 2019: 117). 19 How the figure of an accused perpetrator is constructed depends on elements such as appearance, sexuality and public persona (Andreasen, 2022: 4). Just as the fact that De Pauw is ‘funny’ and a comedian played a role here, this was seen previously in the response to the sexual misconduct allegations against American comedian Louis C.K.…”
Section: Discussionmentioning
confidence: 99%
See 2 more Smart Citations
“…Even more recently, on 9 May 2023, the former president of the United States, Donald Trump, was found to have sexually abused columnist E. Jean Carroll [182]. Similar to many men of their age [183], they continued to presuppose sex as being for pleasure and supported the roles of men and women in this regard since the 1970s-something brought to the forefront by feminist critique [184]. As a result of Weinstein's convictions, public sentiment towards sex as pleasure turned in a different direction [185], supported by the postmodern interest in gender as sexual identity developed with the early public focus on the #MeToo movement, founded in 2017, where women publicly self-identified as being victims of rape to an overwhelming and unexpected degree [186].…”
Section: Limitationsmentioning
confidence: 99%