2014
DOI: 10.15385/jmo.2014.5.1.3
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A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron

Abstract: Part of the Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Cent… Show more

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Cited by 3 publications
(2 citation statements)
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“…A view into history should lead to a clear hint. All "gender studies" regarding the arts, including music, (Citron, 1993;Drinker 1948;McClary, 1991;Solie, 1993, Reitsma, 2014 are "pointing out", marking the 'outstanding' success of women in various musical sub-fields. I personally think that equity is only achieved, if names and gender backgrounds do not play any role in mastering a specific skill such as balancing pro and contra, looking at visionary graphs, teaching in a technically demanding field of some complexity, and writing about them through a musical mind.…”
Section: Historical Perspectivesmentioning
confidence: 99%
“…A view into history should lead to a clear hint. All "gender studies" regarding the arts, including music, (Citron, 1993;Drinker 1948;McClary, 1991;Solie, 1993, Reitsma, 2014 are "pointing out", marking the 'outstanding' success of women in various musical sub-fields. I personally think that equity is only achieved, if names and gender backgrounds do not play any role in mastering a specific skill such as balancing pro and contra, looking at visionary graphs, teaching in a technically demanding field of some complexity, and writing about them through a musical mind.…”
Section: Historical Perspectivesmentioning
confidence: 99%
“…Por su parte Citron (1993), en su libro Gender and the Musical Canon, estudió las construcciones musicales de género y sexualidad, observando los estereotipos de género principalmente en las narrativas musicales. Estas producciones han servido de referencia en las siguientes décadas y, como cita Kimberly Reitsma (2014), muestran diversos caminos para abordar la creación, interpretación y producción musical de las mujeres a lo largo de la historia de la música, tantos años presentada con énfasis en lo masculino.…”
Section: Historia De Las Mujeres Historia De Las Mentalidadesunclassified