2011
DOI: 10.1016/j.heares.2011.08.001
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A new method of calculating auditory excitation patterns and loudness for steady sounds

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Cited by 37 publications
(31 citation statements)
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“…Although there were some individual differences in the on-frequency masker data functions, one commonality is that masked gap detection thresholds closely resembled thresholds in quiet for the 45 and 55 dB SPL levels; masking effects were observed at or above 65 dB SPL. In order to relate this finding to the off-frequency masking results we computed the target-to-masker ratio in excitation, using the nonlinear excitation model of Chen et al (2011). We first determined the excitation patterns for the 55-dB-SPL on-frequency masker alone and then again for the gap marker (the target) plus masker.…”
Section: B Resultsmentioning
confidence: 99%
“…Although there were some individual differences in the on-frequency masker data functions, one commonality is that masked gap detection thresholds closely resembled thresholds in quiet for the 45 and 55 dB SPL levels; masking effects were observed at or above 65 dB SPL. In order to relate this finding to the off-frequency masking results we computed the target-to-masker ratio in excitation, using the nonlinear excitation model of Chen et al (2011). We first determined the excitation patterns for the 55-dB-SPL on-frequency masker alone and then again for the gap marker (the target) plus masker.…”
Section: B Resultsmentioning
confidence: 99%
“…This would also contribute noise to the assessment of perceptual weights because changes in the effective level of any given component would be altered by the changes in level of adjacent components. To test this, a second set of weights predicted by the model was obtained by using a version of the model developed by Chen et al (2011) to estimate the "excitation" in dB for the auditory filter centered on each component, for every trial each listener received. The model of Chen et al (2011) provides direct access to the estimated excitation pattern but is similar to the model of Moore and Glasberg (2004) in other respects.…”
Section: Discussionmentioning
confidence: 99%
“…To test this, a second set of weights predicted by the model was obtained by using a version of the model developed by Chen et al (2011) to estimate the "excitation" in dB for the auditory filter centered on each component, for every trial each listener received. The model of Chen et al (2011) provides direct access to the estimated excitation pattern but is similar to the model of Moore and Glasberg (2004) in other respects. Weights were then obtained by using the difference between the excitation value for each component between interval 2 and interval 1to predict the difference in overall loudness estimated by the model for the two intervals.…”
Section: Discussionmentioning
confidence: 99%
“…Perceptual loudness is not simply related to physiological spike rate, even in the auditory nerve (Relkin and Doucet 1997), and at more central stations factors such as adaptation can influence the neuronal representation of sound level (Dean et al 2005). Though it is a subject of ongoing investigation (Chen et al 2011), the relationship of perceptual loudness to physiological measures is unknown. Consequently, instead of attempting to balance loudness in our studies of anesthetized animals, we compared the selectivity of stimuli by using levels that produced similar peak spike rates.…”
Section: Introductionmentioning
confidence: 99%