2014
DOI: 10.3390/s140712271
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A New Quantitative Method for the Non-Invasive Documentation of Morphological Damage in Paintings Using RTI Surface Normals

Abstract: In this paper we propose a reliable surface imaging method for the non-invasive detection of morphological changes in paintings. Usually, the evaluation and quantification of changes and defects results mostly from an optical and subjective assessment, through the comparison of the previous and subsequent state of conservation and by means of condition reports. Using quantitative Reflectance Transformation Imaging (RTI) we obtain detailed information on the geometry and morphology of the painting surface with … Show more

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Cited by 44 publications
(33 citation statements)
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“…However, this minimal setup leads to undersampling of the reflectance function and missing data due to shadows, so most of the MLIC processing is done with a much larger number of lights uniformly sampling the entire sphere or hemisphere around the scene. Implementations of this approach include large static light‐domes approximating a far‐light condition [MGW01, PSM05, CHI19, HP15, EBB∗11, AIK13], smaller micro‐domes [EBB∗11, FBKR17, Ham15, WVM∗05, PBFS14, VVP∗18, HBMG02] requiring the handling of non‐collimated light‐rays through near‐light or spot‐light models [AG15, PCGG16, HWBC15], or virtual domes made with moving light arcs or robotic arms with a small number of light sources to span the entire hemisphere [MBW∗14, SOSI03, DCCS06]. The known regular arrangement of lights in these solutions, using tens to hundreds of lights, allows methods, user interfaces, and tools to exploit a parameterization of the light space for navigation and/or interpolation (Sec.…”
Section: Introductionmentioning
confidence: 99%
“…However, this minimal setup leads to undersampling of the reflectance function and missing data due to shadows, so most of the MLIC processing is done with a much larger number of lights uniformly sampling the entire sphere or hemisphere around the scene. Implementations of this approach include large static light‐domes approximating a far‐light condition [MGW01, PSM05, CHI19, HP15, EBB∗11, AIK13], smaller micro‐domes [EBB∗11, FBKR17, Ham15, WVM∗05, PBFS14, VVP∗18, HBMG02] requiring the handling of non‐collimated light‐rays through near‐light or spot‐light models [AG15, PCGG16, HWBC15], or virtual domes made with moving light arcs or robotic arms with a small number of light sources to span the entire hemisphere [MBW∗14, SOSI03, DCCS06]. The known regular arrangement of lights in these solutions, using tens to hundreds of lights, allows methods, user interfaces, and tools to exploit a parameterization of the light space for navigation and/or interpolation (Sec.…”
Section: Introductionmentioning
confidence: 99%
“…In recent years, the use of reflectance transformation imaging is diffusing in the Cultural Heritage field [47][48][49][50][51]. For what concerns Arienti's drawings, RTI was chosen for the non-invasive evaluation of changes in paper topography due to the application of the proposed deacidification method.…”
Section: Resultsmentioning
confidence: 99%
“…The imitation and reproduction of the true world of painting is shaken from the significance of existentialism. Many painters even look at the future of painting art from the state of the last day of the world [6].They think photography has damaged the art of painting. From the development of the western art history, the emergence of photography once made the painting art deeply puzzled.…”
Section: The Art Of Paintingmentioning
confidence: 99%