A Note on the Iraqi Maqam

Tsuge, Gen'ichi

doi:10.2307/834141

Cited by 5 publications

(1 citation statement)

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“…Yet, these narratives -in addition to their inherent interest -might echo wider concerns and phenomena by the themes they address, providing new examples and counter-examples. Iraqi music is a good case for advocates of the Internet as a window unto unheard-of universes: a rather confidential repertoire for a number of reasons pertaining to the structure and features of the Iraqi music industry, it is barely known outside a circle of connoisseurs, even in other Arabic-speaking countries (Tsuge 1972). As head and founder of Ustaza in Paris and l'Agence Ustaza, I have thrived over the past years communicating about, and later on, producing artistic and cultural content aimed at providing alternative narratives about eras, events and societies that bring depth and diversity to the perception we have of them, mostly in relation to the Arab world.…”

Section: "Nightingales In Baghdad" -1920s-1950s Iraqi Music Archives ...mentioning

confidence: 99%

“Nightingales in Baghdad” – 1920s-1950s Iraqi music, archives and live performance

Houssais¹

2020

ema

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Once upon a night, I stumbled upon a blurry black and white Youtube video of Salima Murad, the greatest Iraqi singer of the 20th century. While most of musical memories from pre-revolutionary Iraq have been destroyed during the past decades, some have been preserved as of family archives. Today, they have been uploaded on the Internet and digitally recreate a past that no longer exists, yet is gaining unprecedented exposure both within the Iraqi diaspora and beyond". Hence starts the live creation I produced about the golden age of Iraqi music. It puts the question of forgotten -not to say erased -memories at the heart of its narrative while heavily relying on video, sound and image archives that I painstakingly sourced, curated and edited into a performance mixing music, storytelling and VJ (video-dj). In this paper I unveil the making of this show, focusing on the challenges to locate and obtain high definition archives. I also explain how I addressed these obstacles and played on the lack and/or lesser quality of these pieces to bring back to life as faithful and vibrant an image of bygone Baghdad as was possible. Shown at the Institut du monde arabe (2017), the Institut des Cultures d'Islam (2018) and the musée d'Art et d'Histoire du judaïsme (2020), "Nightingales in Baghdad" echoes the power of archives in arts, the enduring imbalance in archives ownership between former colonies and colonial powers as well as the pros and cons of amateur archive digitalization.

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Section: "Nightingales In Baghdad" -1920s-1950s Iraqi Music Archives ...mentioning

confidence: 99%