A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã

Abstract

The painting collection of Santa Casa da Misericórdia da Lourinhã is amongst Portugal's most notable and scarcely best-known cultural heritage. The artistic interest of this pictorial group, besides the advanced state of degradation of a number of the paintings, together with the ruined circumstances of the building accommodating the collection, today in reconstruction, were the key reasons for this study. Thermo-hygrometric measurements were carried out. A multianalytical methodology incorporating micro-X-ray diffraction (µ-XRD), energy-dispersive X-ray fluorescence spectroscopy (EDXRF), scanning electron microscopy-energy dispersive spectroscopy (SEM-EDS), micro-Raman spectroscopy (µ-Raman), micro-Fourier transform infrared spectroscopy (µ-FTIR) has been followed for the study. These analyses were complemented by infrared photography (IRP) and reflectography (IRR), allowing the study of the underdrawing technique. The results of this study were compared with previous ones of the painter's workshop and important distinctions and similarities were found within the materials and techniques used. This analysis methodology on materials contributes to safeguarding and the ensuing community awareness of this cultural heritage in danger.

On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments

“…Among the yellow pigments available for artists in Portugal since the 19th century stand earth pigments, Naples yellow, Lead tin yellow (I and II), Orpiment, Massicot, Mars yellow, Chrome yellow and Cadmium yellow [14][15][16]. Most of them were historically used by Portuguese painters in easel paintings, sculptures and manuscripts from the 15th Century onwards [14,[17][18][19][20][21][22][23][24]. The exception being Mars colors, and the synthetic chrome and cadmium pigments discovered only in the 19th century with the advance of chemical industries [14,25].…”