A paradox of place: civic education in the rural south

Abstract

Purpose Due to the complexities of place and the limited knowledge of citizenship education in rural contexts, the purpose of this paper is to examine civics teachers’ perceptions of place in rural schools and its influence on their decision making about the curriculum. Design/methodology/approach A qualitative case study design was utilized. Four 12th grade civics teachers were sampled across three rural schools in a southern state. Data came from interviews, classroom observations and teaching artifacts. A constant comparison method of data analysis led to the emergence of a major theme: the paradoxical treatment of place in civic education in rural schools. Findings Participants implemented place-based pedagogies while simultaneously promoting the narrative that students leave their home communities after graduation due to limited post-secondary opportunities (i.e. place-based learning for future (dis)placements). Participants reconciled leaving narratives and the displaced futures of students by emphasizing “the basics” devoid of place. Originality/value The paradoxical treatment of place, as influenced by teachers’ perceptions and civic sensibilities, contrasted with theoretical perspectives on place-based education that emphasize inhabiting and attending to place. Findings suggest the need to prepare rural civics teachers for place-conscious civic pedagogies to challenge paradoxical treatments of place and engender democratic investments in rural communities.

Hard history in hard contexts: Teaching slavery and its legacy in a Neo-Confederate space

“…In addition to teachers’ content knowledge and racial understandings (King & Chandler, 2016), school and community context plays a major factor in teachers’ curricular-instructional gatekeeping (Moffa, 2019; Romanowski, 1996; Saada, 2013; Thornton, 1989). Curricular-instructional gatekeeping encompasses all the decisions teachers make that direct the learning experience for their students (Thornton, 1989).…”