Abstract:This chapter describes, interprets, and theorizes a central contradiction facing youth arts and humanities programs in postindustrial cities, which can experience rapid economic, cultural, and spatial reconfigurations by adopting the conventional creative city script. These programs can provide rewarding and meaningful creative learning for young people (often of color) from working‐class and low‐income backgrounds (aged 14–18) while at the same time imbricating these young people in revitalizing cities at the… Show more
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