Effecting reconciliation: such has been the subject of Athol Fugard's writing during the past decade and by extension its political project. His most recent drama reflects, as his work has always done, a moment in South African history: the crucial present moment of apartheid's dismantling, of the political process currently underway which seeks reconciliation and attempts coalition even as it allows for the continued enfranchisement of the white minority. Despite the enormous differences between what motivated the former Nationalist government to begin the rapprochement and what has always moved Fugard to write, in the perverse workings out of the recent changes in South Africa, the desire for enfranchisement and for reconciliation are shared desires, evident both in the political rhetoric which de KIerk employed and in the theatrical language Fugard devised.