A Platform for Mining and Visualizing Regional Collective Culture

Ohno, Shin; Inaba, Mitsuyuki

doi:10.1007/978-3-642-17184-0_15

Cited by 3 publications

(1 citation statement)

References 10 publications

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“…The use of video has also been strongly tied to promoting greater Digital oral history towards a new research paradigm engagement with OH archives, and as an enhancement to access and 'digital storytelling', including in education (Christel et al, 2010;High, 2010;Kaufman, 2013;Gould and Gradowski, 2014). Most of the literature surveyed on the use of digital methods for analysing OH or spoken word collections focuses on various text-based analyses such as social network analysis and text-mining (McKether et al, 2009;Verd andLozares, 2014, McKether andFriese, 2016;O'Reagan and Fleming, 2018), semantic networking (Pattuelli and Miller, 2015), topic modelling and tagging, and datavisualization (Ohno et al, 2010;Paju et al, 2011;Xiao et al, 2013).…”

Section: Doh: the State Of The Artmentioning

confidence: 99%

Exploring the possibilities of Thomson’s fourth paradigm transformation—The case for a multimodal approach to digital oral history?

Smyth¹,

Nyhan

Flinn³

2023

Digital Scholarship in the Humanities

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This article seeks to reorientate ‘digital oral history’ towards a new research paradigm, Multimodal Digital Oral History (MDOH), and in so doing it seeks to build upon Alistair Thomson’s (Thomson, A., 2007, Four paradigm transformations in oral history. Oral History Review, 34(1): 49–70.) characterization of a ‘dizzying digital revolution’ and paradigmatic transformation in oral history (OH). Calling for a recalibration of the current dominance of the textual transcript, and for active engagement with the oral, aural, and sonic affordances of both retro-digitized and born digital OH (DOH) collections, we call for a re-orientation of the digital from passive to generative and self-reflexive in the human–machine study of spoken word recordings. First, we take stock of the field of DOH as it is currently conceived and the ways in which it has or has not answered calls for a return to the orality of the interview by digital means. Secondly, we address the predominant trend of working with transcriptions in digital analysis of spoken word recordings and the tools being used by oral historians. Thirdly, we ask about the emerging possibilities—tools and experimental methodologies—for sonic analysis of spoken word collections within and beyond OH, looking to intersections with digital humanities, sociolinguistics, and sound studies. Lastly, we consider ethical questions and practicalities concomitant with data-driven methods, analyses and technologies like AI for the study of sonic research artefacts, reflections that dovetail with digital hermeneutics and digital tool criticism and point towards a new MDOH departure, a sub-field that has potential to inform the many fields that seek patterns in audio, audio-visual, and post-textual materials, serially and at scale.

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Section: Doh: the State Of The Artmentioning

confidence: 99%

Exploring the possibilities of Thomson’s fourth paradigm transformation—The case for a multimodal approach to digital oral history?

Smyth¹,

Nyhan

Flinn³

2023

Digital Scholarship in the Humanities

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Analytical Data Transformations in Space–Time Region: Three Stories of Space–Time Cube

Nakaya

2013

Annals of the Association of American Geographers

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Visualizing and Analyzing Cultural Voices in Computer-Mediated Communication through Social Gaming Simulation

Kido

Wakabayashi

Hatano

et al. 2011

2011 Second International Conference on Culture and Computing

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The present study aims at establishing digital scholarly methods to understand the transformational processes of thought and behavior in individuals within changing socio-cultural situations. We adopted the sociocultural approach as a conceptual framework that considers cultural phenomena as dynamic processes for the interplay of cultural voices in "personal" and "authoritative" layers. We first designed a gaming simulation based on actual societal changes and conflicts among stakeholders regarding nuclear power plants. Next, we developed a net-based communication tool that supports players' dialogues and records the trajectories of players' utterances and attitudes. After the experimental gaming simulation, we utilized the KACHINA CUBE system (KC) to visualize the social events, dialogues, and attitude changes of players. With this system, the diversity and commonality across the players' transformations were exposed onto KC's 3D space. The debriefing session also revealed that non-linear transformations of the players were derived from the interplay of their multi-layered cultural voices.

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A Platform for Mining and Visualizing Regional Collective Culture

Cited by 3 publications

References 10 publications

Exploring the possibilities of Thomson’s fourth paradigm transformation—The case for a multimodal approach to digital oral history?

Exploring the possibilities of Thomson’s fourth paradigm transformation—The case for a multimodal approach to digital oral history?

Analytical Data Transformations in Space–Time Region: Three Stories of Space–Time Cube

Visualizing and Analyzing Cultural Voices in Computer-Mediated Communication through Social Gaming Simulation

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