2006
DOI: 10.4114/ia.v8i23.801
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A Qualitative Theory for Shape Representation

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Cited by 11 publications
(35 citation statements)
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“…This approach differs from the previous works by Museros et al [9,10,11,12] in the following points: (1) the current qualitative des-cription of shape introduces a new qualitative concept for describing the edge connection and it also presents a higher granularity for the qualitative concepts angle, compared length and type of curvature, allowing to differentiate between more shapes [29]; (2) the colour of each object is described qualitatively instead of using its RGB coordinates, which is a more cognitive method; (3) the size of the objects is described qualitatively comparing it to the rest of the objects composing the mosaic, which does not limit our approach to the predefined pieces that compose the mosaic; and (4) the matching algorithm is similarity-based, instead of using all-or-nothing matching of qualitative features or RGB values,which speeds up the process.…”
Section: Introductioncontrasting
confidence: 46%
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“…This approach differs from the previous works by Museros et al [9,10,11,12] in the following points: (1) the current qualitative des-cription of shape introduces a new qualitative concept for describing the edge connection and it also presents a higher granularity for the qualitative concepts angle, compared length and type of curvature, allowing to differentiate between more shapes [29]; (2) the colour of each object is described qualitatively instead of using its RGB coordinates, which is a more cognitive method; (3) the size of the objects is described qualitatively comparing it to the rest of the objects composing the mosaic, which does not limit our approach to the predefined pieces that compose the mosaic; and (4) the matching algorithm is similarity-based, instead of using all-or-nothing matching of qualitative features or RGB values,which speeds up the process.…”
Section: Introductioncontrasting
confidence: 46%
“…In the scenario of the presented approach, there is not a predefined set of recognizable tiles, each mosaic design may be composed by any number of different tiles, which differs from previous works by Museros et al [9,10,11,12], in which the set of tiles on the table must be those composing the final design.…”
Section: Comparison To Other Approachesmentioning
confidence: 64%
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