Using a hypothetical graph, Masahiro Mori proposed in 1970 the relation between the human likeness of robots and other anthropomorphic characters and an observer's affective or emotional appraisal of them. The relation is positive apart from a U-shaped region known as the uncanny valley. To measure the relation, we previously developed and validated indices for the perceptual-cognitive dimension humanness and three affective dimensions: interpersonal warmth, attractiveness, and eeriness. Nevertheless, the design of these indices was not informed by how the untrained observer perceives anthropomorphic characters categorically. As a result, scatter plots of humanness vs. eeriness show the stimuli cluster tightly into categories that are widely separated from each other. The present study applies a card sorting task, laddering interview, and adjective evaluation (N = 30) to revise the humanness, attractiveness, and eeriness indices and validate them via a representative survey (N =1,311). The revised eeriness index maintains its orthogonality to humanness (r = .04, p = .285), but the stimuli show much greater spread, reflecting the breadth of their range in human likeness and eeriness. The revised indices enable empirical relations among characters to be plotted similarly to Mori's graph of the uncanny valley. Accurate measurement with these indices can be used to enhance the design of androids and 3D computer-animated characters.