A Review of Recording Technologies for Digital Fabrication in Heritage Conservation

Weigert, A.; Dhanda, A.; Cano, Juan-Carlos; Bayod, C.; Fai, Stephen; Quintero, Mario Santana

doi:10.5194/isprs-archives-xlii-2-w9-773-2019

Cited by 9 publications

(6 citation statements)

References 11 publications

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“…As reverse engineering methods (Segreto, T., 2017), those technologies can help to reconstitute original knowledge of and techniques used in the existing building, thanks to digital recordings and the analysis of historical data. They provide endless possibilities for adapting the various responses to the process of safeguarding and enhancing the architectural heritage (Weigert, A et al, 2019). Thus, from the diagnosis of existing structures to the use of additive manufacturing technologies, most of these scientific studies have enabled us to identify three levels of application for regularly used digital and automated tools.…”

Section: Optimising Original Craftsman Work Techniquesmentioning

confidence: 99%

Digital Intervention Methodologies and Robotic Manufacturing for the Conservation and the Restoration of 20th-Century Concrete Architecture Damaged by Material Loss

Colonneau¹,

Chenafi²,

Mastrorilli³

2022

eCAADe Proceedings

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This article deals with the characterisation of robotic manufacturing systems and digital interventions adapted for the conservation and the restoration of 20th-century concrete buildings. By exploiting the potential for analysis and implementation of robotic manufacturing technologies used in the field of heritage science, two associated noninvasive, non-destructive and integrated intervention solutions are presented here, using two research approaches. Through the use of digital recording tools, digital modelling / simulation and additive manufacturing techniques, the first approach develops a direct repair process by adding material with the help of aerial robots. The second focuses on printing recyclable plastic mouldings in order to reproduce partially degraded or completely destroyed architectural details. The results of these two diverse and complementary researches, as well as their experimental approaches applied to conservation and restoration practices, aim to test the proposed robotic manufacturingbased method, regarding the criteria of transferability and methodological feasibility.

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Section: Optimising Original Craftsman Work Techniquesmentioning

confidence: 99%

Digital Intervention Methodologies and Robotic Manufacturing for the Conservation and the Restoration of 20th-Century Concrete Architecture Damaged by Material Loss

Colonneau¹,

Chenafi²,

Mastrorilli³

2022

eCAADe Proceedings

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“…In recent years, the use of the 3D printer has opened up new scenarios and possibilities related to the enhancement of use and documentation in the museum and CH. The experience of replicating objects and/or finds inside museums as copies of originals is increasingly growing (Weigert et al, 2019, Scopigno et al, 2017.…”

Section: From Point Cloud To Augmented Replicamentioning

confidence: 99%

THE VENETIAN GALEA: FROM THE WOODEN MODEL TO THE DIGITAL MODEL

Balletti

Guerra

Lorenzon

2020

Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci.

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Abstract. The Venetian galea (galley), dominating the Mediterranean Sea for almost 1000 years, is one of the most emblematic and fascinating objects in the history and culture of the Serenissima Republic of San Marco, the official name of ancient Venice. This boat has changed according to the needs and developments that have taken place over the centuries, proving versatile and powerful in military and commercial use.Unfortunately, no complete specimen has been received, and everything that can be known about galleys derives from paintings made in different eras, in models and in some original parts, kept inside the Naval Historical Museum of Venice.Another source are some manuscripts, where part of the traditional shipbuilding knowledge is handed down. To understand a galley it is necessary to understand which techniques were used by the proti (directors of the ancient shipyard) which differ substantially from the current design.These techniques were the synthesis of knowledge handed down from person to person and which did not make use of design drawings such as are used today. To obtain the reconstruction of a galley, lacking complete original drawings, we collected and analyzed different documentation that testified the ancient forms.The presented work aims to reconstruct a digital model of a galea starting from the photogrammetric and laser scanning survey of a wooden model of the hull of half of a 25-bench galley of the mid-seventeenth century. The surveyed maquette and brought back to the real scale was integrated by some artifacts present at the Naval History Museum of Venice, surveyed with photogrammetric techniques and laser scanning too.In this way a hypothetical configuration was reconstructed (by synthesis of collected and historical data) which shows the shape that this boat could reasonably have had. The result is a digital model, then printed to the scale, obtained by three-dimensional modeling starting from the point clouds of the maquette and the original artifacts. This final model has been compared with all the iconographic and documentary sources for its historical validation.The results obtained were used for a set-up aimed at enhancing the museum, because it was intended for a large audience.

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“…Today, evolving technology allows us to design and manufacture automatically (Weigert et al, 2019). Yet because of this, the creative input of the designer and the experience gained during the process vanishes more and more (Zoran & Paradiso, 2013).…”

Section: Introductionmentioning

confidence: 99%

A pilot study with the Shaper Origin to determine the learning curve of augmented fabrication

van Dyck,

Janssens,

van der Putten

et al. 2023

Connectivity and Creativity in Times of Conflict

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Augmented fabrication is an upcoming technology which combines digital design with physical manufacturing. Since there is a lack of experimental data on the benefits and experiences of augmented fabrication, a pilot study was done with the Shape Origin, a spatially aware manual CNC cutter. The experiment consisted of engraving a set of boards with circular 2mm groove. As a pilot test, the co-authors participated in the experiment and engraved five boards each.We concluded that the quality and elapsed time improved significantly after repetition. As participants, we ended up with more confidence in operating the machine and growing more knowledgeable about the wood as a material during the engraving, resulting in cleaner cutting results with a flat learning curve.

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A Review of Recording Technologies for Digital Fabrication in Heritage Conservation

Cited by 9 publications

References 11 publications

Digital Intervention Methodologies and Robotic Manufacturing for the Conservation and the Restoration of 20th-Century Concrete Architecture Damaged by Material Loss

Digital Intervention Methodologies and Robotic Manufacturing for the Conservation and the Restoration of 20th-Century Concrete Architecture Damaged by Material Loss

THE VENETIAN GALEA: FROM THE WOODEN MODEL TO THE DIGITAL MODEL

A pilot study with the Shaper Origin to determine the learning curve of augmented fabrication

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