2022
DOI: 10.15184/aqy.2022.95
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A rock art tradition of life-sized, naturalistic engravings of camels in Northern Arabia: new insights on the mobility of Neolithic populations in the Nafud Desert

Abstract: Among the rock art in Arabia, a little-known Neolithic tradition of large, naturalistic camel depictions stands out. Their geographic distribution and stylistic traits suggest close links with the Camel Site reliefs. Four newly documented panels appear to have been carved by the same individual (or group), tracing repeated movements over hundreds of kilometres.

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Cited by 4 publications
(4 citation statements)
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“…To date, finds of Levantine lithic forms at northern Arabian Neolithic sites, as well as the presence of gold in a context radiocarbon dated to between 3634 and 3382 BCE at Jebel Oraf, provide evidence of repeated contact that continued over several millennia and may have been driven by the extreme mobility that characterized Neolithic sites in the Nefud region and along the Gulf coast (Carter, 2018; Guagnin et al, 2021; Scerri et al, 2018). Further evidence has recently also been documented in the distribution of large camel engravings that were repeatedly re-worked by the same hand, and thus document the repeated movement of individuals across or around the Nefud desert (Charloux et al, 2022). Along the Gulf coast, trade with ‘Ubaid pottery is well documented throughout the sixth and fifth millennia BCE, likely a result of maritime trade, and it is possible that date products were traded in exchange (Carter, 2018).…”
Section: Discussionmentioning
confidence: 87%
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“…To date, finds of Levantine lithic forms at northern Arabian Neolithic sites, as well as the presence of gold in a context radiocarbon dated to between 3634 and 3382 BCE at Jebel Oraf, provide evidence of repeated contact that continued over several millennia and may have been driven by the extreme mobility that characterized Neolithic sites in the Nefud region and along the Gulf coast (Carter, 2018; Guagnin et al, 2021; Scerri et al, 2018). Further evidence has recently also been documented in the distribution of large camel engravings that were repeatedly re-worked by the same hand, and thus document the repeated movement of individuals across or around the Nefud desert (Charloux et al, 2022). Along the Gulf coast, trade with ‘Ubaid pottery is well documented throughout the sixth and fifth millennia BCE, likely a result of maritime trade, and it is possible that date products were traded in exchange (Carter, 2018).…”
Section: Discussionmentioning
confidence: 87%
“…Cattle are thought to have been introduced via southern Jordan (Makarewicz, 2020) and 'Ubaid pottery was traded along the Gulf coast, possibly in exchange for date products (Carter, 2018). Large engravings of camels also show evidence of repeated contact across the Nefud desert (Charloux et al, 2022). Arrows placement is approximate and used to symbolize the general direction of connections.…”
Section: Discussionmentioning
confidence: 99%
“…Although rock-art panels are very common in the deserts discussed here, they mostly depict selected animal species, abstract forms, anthropomorphic figures and, in later periods, camels (and camel riders) and inscriptions (Anati 1999; 2015; Avner et al 2017; Charloux et al 2022; Eisenberg-Degen & Rosen 2013; Eisenberg-Degen & Nash 2014; Schwimer & Yekutieli 2021). Rock-art depictions of kites are rare, and seem not to be specific to a particular trap (e.g.…”
Section: Discussionmentioning
confidence: 99%
“…It has been postulated that the camel was introduced to Somalia from Arabia. In recent investigations on a vast area of Northwest Arabia, pictures of live-size camels are assigned up to 5000 years ago [42]. However, growing evidence suggest that the camel domestication time difference in Arabia and Somalia was relatively insignificant.…”
Section: Social Development In Surface Archaeology: Rock Art Linkmentioning
confidence: 99%